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Index to Canadian Winds / Volumes 1 - 5 Fall 2002 – Spring 2007 Compiled by Timothy Maloney, University of Minnesota INTRODUCTION Canadian
Winds began publication as the
Canadian Band Association’s official journal in Autumn 2002 following the
demise of the Canadian Band Journal,
which ceased publication in 2001.
This index covers the first five volumes of Canadian Winds, through spring 2007. It includes in a single alphabet the titles, names, and key
words found in either English or French in all articles, columns, and reviews
in those ten issues of the journal.
Government
departments and other organizations with officially bilingual names are listed
under both versions. Most other
entries give only the form used in the journal texts, whether English or
French. Separate alphabetical
lists of advertisements and of books and CDs reviewed in the journal are found
at the end. Where
a composer is linked to specific works listed in the index, s/he is so
designated (“c”). Reviewers, translators, arrangers, letter
writers, and interviewees are also identified (e.g., “r,” “tr,” “arr,” “l,” and “i”). Company, festival, and ensemble names
are listed according to the first word in their titles: e.g., Dave McMurdo Jazz
Orchestra under “D”. Where
appropriate, initial prepositions and other ancillary words have been placed in
parentheses to indicate alphabetization by the first main word of an entry:
e.g., (d’)Argenson under “A”.
Except for the CBC and BBC, acronym entries direct the reader to the appropriate
full name: e.g., “CMEA, see Canadian Music Educators’ Association.” Titles
of columns, conference papers, journal articles, songs, and broadcasts are
given in quotation marks (e.g., “British Grenadiers”) while titles of books, newspapers, extended musical
works, and commercial sound recordings are italicized (e.g., Pantomime). Recordings are identified as such: e.g., “[LP/33
tours].” All information given in
square brackets has been added by the indexer. Regular
features of the journal, such as In Profile
and Repair Bench, are listed in
capital letters. Canada Post and U.S.
Postal Service abbreviations are used to designate provinces and states. Further short forms include “SO” (symphony
orchestra), “PS” (public school), “MS” (middle school), “HS” (high school),
“SS” (secondary school), U (university/université), and “St.” (Saint). Typically,
all information pertaining to a given entity is gathered into a single
entry. All page references use the
following format – volume/issue:inclusive pages (e.g., 4/2:93-94 refers
to an article in vol. 4, no. 2, pp. 93-94). Index à Vents
canadiens, Volumes 1 - 5 automne 2002 –
printemps 2007 compilé par Timothy Maloney, Université du Minnesota INTRODUCTION Vents canadiens a débuté sa publication en tant
que journal officiel de l’Association canadienne des harmonies à l’automne 2002
suite à la fermeture du Canadian Band Journal en 2001. Cet index couvre les cinq premiers
volumes de Vents Canadiens jusqu’au printemps 2007. Il inclut, dans une seule liste
en ordre alphabétique, les titres et les mots clé, en anglais ou en français,
dans tous les articles et critiques dans ces dix numéros du journal. Les départements gouvernementaux et autres
organisations qui ont officiellement un nom bilingue sont classés sous les deux
noms. La plupart des autres
entrées donnent la forme utilisée dans les textes du journal, soit anglaise ou
française. Des listes
alphabétiques séparées des publicités et des critiques de livres et de DC du
journal se retrouvent à la fin. Lorsqu’un compositeur est lié à une œuvre musicale
présente dans l’index, il est désigné par la lettre « c ». Les critiques, traducteurs, arrangeurs,
auteurs de lettres et personnes interviewées sont identifiées de la façon
suivante : « r », « tr », « arr »,
« l » et « i ».
Les compagnies, festivals et ensembles sont classés selon le premier mot
de leur titre. Par exemple, le Dave McMurdo Jazz Orchestra sera classé sous la
lettre « D ». Lorsque
approprié, les prépositions et autres déterminants ont été placés entre
parenthèses pour indiquer que les noms sont classés alphabétiquement en
fonction du premier mot principal (ex. (d’) Argenson est classé sous
« A »). À l’exception de
la CBC et de la BBC, les acronymes redirigeront le lecteur vers le nom complet de
l’organisme (ex. « A.C.M.E. , voir Association canadienne des musiciens
éducateurs »). Les titres des chroniques, rapports de
conférences, articles de journaux, chansons et émissions de radio sont placés
entre guillemets (ex. « Isabeau s’y promène ») alors que les titres
de livres, journaux, œuvres musicales majeures et enregistrements sonores
commerciaux sont en italique (ex. Pantomime). Les enregistrements sont identifiés de la façon suivante «
[LP/33 tours] ». Toute
l’information contenue dans les crochets a été ajoutée par l’auteur de l’index. Les chroniques régulières du journal telles que En Perspective et Atelier de Réparation sont en lettres
majuscules. Les abréviations de
Poste Canada et du Service Postal des États-Unis sont utilisées pour désigner
les provinces et les états.
D’autres raccourcis incluent « SO » (orchestre symphonique),
« PS » (école publique), « MS » (école secondaire),
« HS » (école secondaire), « SS » (école secondaire),
« U » (université) et « ST » (saint). En général, toutes les informations concernant une
entité sont classées dans une seule entrée à l’index. Toutes les références de pages seront faites selon le format
suivant : volume/numéro : pages incluses (ex. 4/2:93-94 fait
référence à un article dans le volume 4, numéro 2 aux pages 93 et 94). (traduit de l’anglais par Jade Piché) INDEX Académie de musique de Sorel [QC], 4/2:64 Académie du Sacré-Coeur [Sorel, QC], 4/2:64 Acadia U [Wolfville, NS],
5/1:15, 21; 5/2:88 Acadia Music Camp [NS],
5/2:64 ACME, see/voir Association
canadienne des musiciens éducateurs “Achieving the Best of Both Worlds: Developing
Practice Skills in Rehearsal,” Gillian MacKay, 2/1:20-22 Acoustics [band room],
5/1:54-55 Adams, Duane, 4/2:97 Adaskin, Murray, c, Night Is No Longer Summer Soft, 4/2:97 Adcock, Dennis, Repair
Bench/Atelier de réparation: “Saxophone Subtlety Suffers,” 3/1:37; “The
BIG Maintenance Tip for Band Directors,” 3/2:88; “Shop Talk,” 4/1:46; “Preventable
Problems,” 4/2:102; “Reducing Repair Costs,” 5/1:46; “Transporting Instruments,”
5/2:98 Adophe, Bruce, The Mind’s Ear: Exercises for
Improving the Musical Imagination for Performers, Listeners, and Composers, 4/2:68; 5/1:15 Advocacy
Corner,
1/1:7; 1/2:13-14; 2/1:9-10; 2/2:56-57; 3/1:6; 3/2:52; 4/1:5; 4/2:62; 5/1:8-9;
5/2:60 Aebersold, Jamey, 4/1:82 Aeolian mode, 5/1:34; 5/2:70 Agostini, Lucio, 5/2:73 Ahrke, Carl, l, 2/1:5-6 AICE, see/voir Association de
l’industrie canadienne de l’enregistrement Air Canada, 5/1:6 Aitken, Robert, 5/1:32 À la claire fontaine, c, Harry Freedman, 4/2:101 Albany Records [records/disques],
4/1:39 Alberta Band Association
(ABA), 4/1:19, 21; 5/1:32 Alberta Winds, 5/1:21 Aleatoric notation, 4/1:21 Alembic, c, Raymond
Deane, 5/1:42 Alford, Kenneth J., c, Army of the Nile, The Voice of the Guns, 5/2:97 Allemande, 5/2:67 Allison, Catherine, 5/2:62 All’s Well that Ends Well, William Shakespeare, 4/1:19 Alsobrook, Joseph, Pathways, 1/2:42 Alta Musica [journal/revue], 4/1:4 American Academy of Arts and
Letters Prize, 4/1:38 American Patrol, c, Frank
W. Meacham, 5/2:76 American Wind SO [Pittsburgh,
PA], 4/1:38 Ameriikan Poijat
[septet/septuor, MN], 5/1:39 Amersfoort [Holland/Hollande],
5/1:12 Ammerland, c, Jacob de Haan, 5/2:105 An Artist’s Neighbourhood [CD], 1/1:40; 4/1:20; 5/1:23 Anderson, John C., “Canadians in Cuba: Making a
Difference,” 3/2:51 Anderson, Leroy, Irish
Suite, 5/1:41 …and the mountains rising
nowhere, c, Joseph Schwantner, 4/1:10 An Garda Síochana Band [Dublin, Ireland],
5/1:41 Angel Song [CD], 4/1:34 Anhalt, Istvan, 5/2:92 “An Interview with Howard Cable,” Michael Purves Smith
& Jacqueline Dawson, 4/2:72-75 À Noter,
1/1:6; 1/2:10-12; 2/1:8, 10; 2/2:53-55; 3/1:3-5; 3/2:51; 4/1:4; 4/2:59-61; 5/1:5-7; 5/2:59 “Anvil Chorus” [Il Trovatore] c, Verdi, 5/1:39 Applebaum, Louis, 5/2:73; c, Celebration 100, Celebration York, High
Spirits, Passacaglia and Toccata, Suite of Miniature Dances, 4/1:19 Appleby, Brian, 4/2:99 Archer House Hotel [Northfield,
MN], 5/1:39 “Are Band Rooms Harmful to Hearing?”, Dennis Tupman, 5/1:54-55 Arf, c, Phil Nimmons, 5/2:74 (d’)Argenson, Charles Voyer de
Poligny, c, Royal Fusilers[’] Arrival at Quebec, March[e] de Normandie, 5/1:24-27 Armenian, Raffi, 5/2:67 Army of the Nile, c, Kenneth J. Alford,
5/2:97 Army School of Music [Ireland],
5/1:41 Around the Horn, Walt Weiskopf, 4/2:81 Arts Council of Ireland,
5/1:42 (L’)Art
de la direction, 4/1:8-10; 4/2:68-71; 5/1:14-16; 5/2:66-68 (The) Art of Conducting, 4/1:8-10; 4/2:68-71; 5/1:14-16; 5/2:66-68 Arts Propel: A Handbook for Music, Educational Testing Service, 5/2:106 “Arts National” [CBC/Radio-Canada],
4/2:74 Artstarts [Toronto], 5/1:8 Arvay, Sheldon, 4/1:7 Associated Board of the Royal
Schools of Music, 4/1:41 Associated Music Publishers
[publisher/éditeur], 4/1:37, 39 Association canadienne des musiciens
éducateurs (ACME), 4/2:58, 98; 5/1:4; 5/2:58 ; (L’)Éducateur de musique
au Canada [revue/journal], 4/1:13; 5/1:32; 5/2:68 Association canadienne des
harmonies (ACH), 1/1:1; 1/2:1; 2/1:1; 2/2:49, 51; 3/1:1; 3/2:49; 4/1:1; 4/2:57;
5/1:1; 5/2:57, 58, 70, 75, 107; attribution de la photo de la page couverture,
1/1:1, 31; 4/2:75; Liste de répértoire à utiliser aux festivals, 1/2:6-8;
4/1:2, 51-52; Nouvelles de l’ACH, 1/2:6;
2/1:48; 2/2:95; 3/1:42-44 ; 3/2:94-97; 4/1:51-52; 4/2:111; 5/2:107;
Présidents, 1931-2000, 1/1:3; Prix national des harmonies, 4/2:111; 4/1:7;
5/2:107; 75e Anniversaire, 5/1:4, 5-7; Premiers présidents provinciaux, 5/1:5; Histoire
des chapitres, 5/1:6; Programmes & services, 5/1:7; License, 5/1:5; Bourse,
5/1:5 L’Association de l’industrie
canadienne de l’enregistrement (AICE), 4/2:63 Association des fanfares amateures
de la province du Québec, 4/2:64 Atelier
de réparation, 1/1:42-43; 1/2:47-48; 2/1:36; 2/2:89; 3/1:37; 3/2:88; 4/1:46; 4/2:102;
5/1:46; 5/2:98 Athenia [ship/navire], 5/1:11 Atkinson, Norma-Jean, 4/1:6 Atlantic Band Festival
[Halifax, NS], 4/2:66 Atlantic SO [Halifax, NS],
4/2:78; 5/2:81, 96 Atlantic Suite, c, Phil Nimmons, 5/2:73 At Last, c, Etta James, 5/2:97 Au Banc des supporteurs, 1/1:7; 1/2:13-14; 2/1:9-10; 2/2:56-57; 3/1-6; 3/2:52;
4/1:5; 4/2:62; 5/1:8-9; 5/2:60 Auditions, recorded/enregistrés, 4/1:40 Augmented triads, 4/1:17 Auerbach, Red, 1/1:43 Aurora Woodwind Quintet [UK],
5/1:17 Autobiographical CD project, 5/2:66 Avant-garde techniques, 4/1:21 Aviso [journal/revue], 5/2:64 Avison, John, 4/1:39 “Avoiding ‘The Hand:’ Developing Fine Trumpet Tone,”
Gillian MacKay, 3/1:21-23 Ayres, E. Von, 5/1:5 Babbitt, Milton, 5/2:92 Bach, J. S., 4/1:18 Bacon, Thomas, 4/2:99 Baillargeon, Hélène, Chantons en français [LP/33 tours], 5/2:70 Balance [instrumentation], 3/1:9-12; 4/1:18; 5/1:22-23 (Les) Ballets russes [Monte Carlo], 4/1:36 Ball State University [Muncie,
IN], 4/1:3 Band Director’s Professional
Development Seminar [SK], 4/2:99 Bande de la Cité [Montréal, QC], 5/1:24 Band in a Box® [software/logiciel],
4/1:17; 4/2:80 “Band Rules from the Early
1900s,” Jane Paulson, 5/1:17 “Bands at
the U of Saskatchewan: A Brief History,” Glen Gillis, 4/2:97-100 (The) Bandstand, Ltd. [retailer/détaillant], 4/1:46;
5/1:27; 5/2:78 Band warm-ups, 1/1:48-47 Banks of Newfoundland, c, Howard
Cable, 4/2:73 Banks, Tommy, 2/1:11; 4/2:98 Barber, Andy, “Reflections on the Durham Beginning
Band Symposium,” 2/1:10-11 Barber, Samuel, c, Adagio, 5/2:97 Baritone/Euphonium, 4/2:73 (C. L.) Barnhouse [publisher/éditeur],
5/2:69, 70 Barnes, James, c, Rhapsodic Essay, 4/1:44;
Fantasy Variations on a Theme by Niccolo Paganini, 4/2:61; Autumn Soliloquy, 5/2:97 Baroque Adventure [CD], 4/2:62 Barrère, Georges, 4/1:38; Density
21.5, 4/1:38; 5/1:32 Barrett, Paul, photos & captions/étiquettes 5/2:57, 64, 65 Barrie Collegiate Band [Barrie,
ON], 4/2:74; 5/1:18, 21 Bartel, Lee, 4/1:11 Basie, William James (“Count”),
4/1:31 Bass clarinet, care, 4/2:102 Bass drum, 5/1:22 Bass guitar, 5/1:23 Bassoon, 2/2:66-72;
3/1:17-20; care, 4/2:102 Battisti, Frank L., 1/1:39; 4/1:21;
4/2:68; 5/1:21; 5/2:67, 86 Battle Music, c, David
Holsinger, 4/1:44 Baxtresser, Jeanne, 5/1:30,
32 Bayley, Jonathan, “The Instrumental Selection
Process,” 3/1:13-16; “Fundamentals of Successful Flute Playing,” 3/2:69-73;
“Fundamentals of Teaching Flute Vibrato,” 5/1:30-32 BBC (British Broadcasting Corporation): BBCSO, 4/1:38;
BBC Proms Concerts, 5/1:42 Beach, Doug, c, Scissors and Glue, 4/1:44 Beal, George W., 5/2:78 Beaudet, Jean-Marie, 5/2:92,
95 Beck, Dennis, l, 1/2: 4 Beeler, Nathan, “Unit Plan for Gordon Jacob’s William
Byrd Suite,” 5/2:85-88 Beethoven, Ludwig van, 4/1:18;
c, “Emperor” Concerto, 4/2:59 Beginning Band Basics: Theory and Activity
Workbooks for Band Students by Stella
Claire terHart, 3/1:36 Behar, Alberto, 5/1:54 Behrend, Roger, 4/2:99 Bell, Allan, c, From Chaos to the Birth of a Dancing Star, 4/1:21 Bell, Leslie, 4/2:72 (The) Bells, c, William
Byrd, 5/2:88 Belo, Jane, 4/1:37 Bennett, Richard, l, 1/2: 4 Bennett, Tony, 4/2:75 Benson, Warren, c, Ginger Marmalade,
5/2:105 Berczy Portraits, c, Howard
Cable, 4/2:76 Berg, Alban, 4/1:36 Bergonzi, Jerry, 4/2:81 Berklee College of Music [Boston,
MA], 5/2:64, 74 Bermuda, 5/2:63 Bernardi, Mario, 5/2:69 Bernstein, Leonard, c, Candide,
4/1:8, 9; The Joy of Music, 5/1:15 Best Music for High School Band: A Selective
Repertoire Guide for High School Bands and Wind Ensembles, Thomas L. Dvorak, Robert Grechesky & Gary M.
Ciepluch, 5/2:77 Bibliothèque et Archives Canada
[Ottawa], Section de la musique, 4/1:39; 5/1:96 Bibliothèque nationale du Canada
[Ottawa], Division de la musique, 2/1:1 [attribution de la photo de la page
couverture/ cover photo credit] Bickert, Ed, 4/1:31, 34 Bidgood, Thomas, c, Vimy Ridge [March], 4/1:43 “Big-Band Check-Up,” Terry
Promane, 3/2:66-68 “Big Band Directing/Conducting: What is That All
About?”, Gordon Foote, 1/1:25-28 Big bands, 1/1:25-28;
3/2:66-68; 4/1:31-35 Biggar, H. P., The Voyages
of Cartier, 5/1:27 Binet, Jocelyn, 5/2:91 Biodôme [Montreal, QC],
4/2:90 Birdburger,
c, Phil Nimmons, 5/2:74 Birkenshaw-Fleming, Lois, “Coalition for Music
Education in Canada,” 2/2:53-55; 4/1:5 Blackburn, Maurice, 4/1:36; c, Concertino en do
majeur pour piano et instruments à vent, 5/2:95 Blackfoot Confederacy [Blood
Indians], 4/2:74 Blaisdell, Frances, 5/1:30,
31 Blanche comme la neige, c, Harry
Freedman, 4/2:101; 5/1:35-36 Blocher, Larry, 5/2:85 Blood Indians [Blackfoot
Confederacy], 4/2:74 Blueprint for Band, Robert Garofalo, 4/2:68; 5/2:85, 106 Blues, 5/2:72; blues scale,
4/1:17 Blues for Someone, c, Phil
Nimmons, 5/2:74 Blue Shades, c, Frank
Ticheli, 4/1:44 Bodenmais [Germany/Allemagne],
5/1:39 Bolam, Brian, 5/1:11, 12 Bolero, 5/2:77 Bollingen Fellowship, 4/1:38 Bonade, Daniel, 4/1:44 Bona Rhythmic Study, 5/1:31 Bonnie Brier Bush, c, John Slatter, 5/2:75 “Boonshaft at Midwest Clinic
’06,” Blaine Workman, 5/2:59 Boonshaft, Peter Loel, 1/2:44; 5/1:8; 5/2:59, 60; Teaching
Music with Passion: Conducting, Rehearsing and Inspiring, 5/2:59, 60; Teaching Music with Purpose: Conducting, Rehearsing and Inspiring, 5/2:59, 60 Boosey & Hawkes [publisher/éditeur],
5/2:74 Bop City Jazz Band [Saskatoon,
SK], 4/2:97 Borduas, Paul-Émile, Refus global, 5/2:91 Borge, Victor, 4/2:75 (The) Boss Brass [Toronto, ON],
4/1:31 Boston [MA], 5/2:81; BSO, Boston Pops, Boston Opera,
Boston Ballet, 5/2:81 (Le) Bouclier canadien,
4/2:90 Boulanger, Nadia, 4/1:36;
5/2:91 Boult, Sir Adrian, 5/2:85, 86 Boundy, Martin, 5/2:62 Bourgeois, Adrian, 4/2:98 Boydell, Brian, c, Fred’s Frolic, 5/1:41 Brahms, Johannes, 4/1:18 Brampton Concert Band [Brampton,
ON], 4/2:77 Brandenberg, Alois, “Two Anniversaries,” 4/1:3-4;
[with Keith Kinder] “The 2006 IGEB/HBS Conference,” 5/1:39-40; Brandon U [MB], 4/1:40; 5/1:45; Wind Ensemble, 5/2:106;
Thursday Night Jazz Ensemble, 4/1:40 Brandt, Gordon, 4/2:97 Brantford [ON], 5/1:18 Brass Bulletin [journal/revue], 4/1:13 Brass Days [U of Saskatchewan],
4/2:99 Brass: pedagogy, 2/1:17-19; 3/2:82-83; repairs,
1/2:47-48 Brassworks 4 Publishing
[publisher/éditeur], 4/2:76, 77 Brauneis, Jean-Chrysostome, c, Grand Overture of Quebec, 5/1:24 Braze, Col. Wilhelm Fritz,
5/1:41; c, Let Erin Remember, 5/1:41 Breau, Lennie, 4/1:34 Brenan, Craig, 4/2:98 Bridge City Dixieland Jazz
Band [SK], 4/2:97 Bridle, Augustus, 4/1:39 British Columbia: Music Educators Association (BCMEA),
5/2:60; BC Supreme Court, 5/2:60; “British Grenadiers,” 5/3:76 British North America, 5/1:24 Britten, Benjamin, 4/1:38; c, Prince of the Pagodas, 4/1:38 Broadway [NY], 4/2:75 Brodie, Clark, 4/1:44 Broege, Timothy, c, Two Minute Symphony, 5/2:105 Brookfield [NS], 5/2:62 Brooklyn Philharmonic Orchestra
[NY], 4/1:39 Brookmeyer, Bob, 4/1:43 Brott, Alexander, 4/1:36 Brown, Heather, 4/1:7 Brown, Jeremy S., 1/1:1; 1/2:1; 2/1:1;
2/2:49; 3/1:1; 3/2:49; 4/1:1; 4/2:57; 5/1:1; 5/2:57; “Music Festival
Preparation: Musical Rewards Should Triumph,” 1/1:29-30; “Improved Saxophone
Intonation through Altissimo Exercises,” 2/1:13-16; r, Beginning Band Basics: Theory and Activity
Workbooks for Band Students by Stella
Claire terHart, 3/1:36; 4/1:4; “Serge Garant’s Musique pour saxophone alto
et fanfare,” 5/1:39 Browne, Bill, 4/1:6 BRS Music [publisher/éditeur],
5/2:74 Bruner, Jerome, 4/2:60 Bryson, Cliff, 5/1:13 Bubble Trouble, c, Phil Nimmons, 5/2:74 Buckley, John, c, Where the Wind Blows, 5/1:42 Buckley, Robert, 4/1:5 Buckley’s Music
[retailer/détaillant], 4/2:77 Buddhism, 5/1:14 Budget (instrument repair &
replacement), 3/2:88 Bueckert, Darrell, 2/1:48; “The Musical
Percussionist,” 4/2:86-89, 98 Buell, Donald S., 1/1:1; 1/2:1; 2/1:1;
2/2:49; 3/1:1; 3/2:49; 4/1:1; 4/2:57; 5/1:1; “What Students Tell Us about our
Rehearsals,” 1/1:8-12; i, 4/2:59-61 Buhr, Glenn, c, Rock!,
5/1:23 Bumper Crop [CD],
1/1:40; Bumper Crop II/Outstanding in Their Fields [CD], 4/2:98; Bumper Crop III/Prairie Rhythms [CD], 4/1:43; 4/2:98 Burke, Bernard, 1/2:16-17 Burnham, Cindy Knapp, 4/1:6 Burrell, Kenny, 4/1:31 Burton, Gregory, “Teaching Beginning Brass Players: A
Singing Approach,” 3/2:82-83 Bushwakker Six Pack/Hybrids [CD], Elizabeth Raum & David McIntyre, 4/2:79 “Button-Pushers or Musicians,” Gordon Foote, 4/1:17-18 Byrd, William, 5/2:85-88 Cable, Howard, i, 4/2:72-77; 5/2:64; c, Anne
of Green Gables, 5/2:64; The Banks of Newfoundland, 4/2:73, 76; Berczy Portraits, Commencement March, Cortège Ceremonial March, Cross Country Holiday, Fiat Lux March, Heliography, Here
Comes the Band March, Marchmanship, A Newfoundland
Sketch, Noël canadien, Olympic Fanfare – Calgary, Petrolia,
St. David’s Day, Saskatchewan
Overture, Scene in Iqaluit, Sing Sea to Sea, These Things Shall Be, Thornhill
2000, Three Candy Cornets, Triphonic Fanfare, ’Twas the Night Before Christmas, Up on the Rooftop, William Davis Day, Wind Song,
4/2:76; Cape Breton Moments, Saturday’s
Game March, Scottish Rhapsody,
4/2:76, 77; Good Medicine: The Charlie Russell Suite, 4/2:74; Hard Oil Suite, McIntyre Ranch Country, Ontario Pictures, Stratford Suite, Train Ride, 4/2:74, 76; A Newfoundland Rhapsody, 4/1:20; 4/2:61, 73, 74, 76; 5/2:70; Quebec Folk
Fantasy, 4/2:73, 76, 77; 5/2:70; Snake
Fence Country, 4/2:73, 74, 76, 77 Cage, John, 5/1:42; 5/2:92 Caldwell, Bobs, 4/2:97 Calgary [AB]: 5/2:65; Stampede, 4/1:6; Philharmonic,
4/1:13; 5/1:23; 5/2:69; Salisbury Composite HS, 4/1:21 (“The) Calixa Lavallée Band of Sorel, Quebec: 90 Years
of History,” Gilles Valois (tr,
Timothy Maloney), 4/2:64-66 Call and response, 4/1:17;
5/1:19 Calvert, Allan J., “The
Canadian Band Association,” 1/1:31 Calvert, Morley, c, Romantic Variations,
3/1:32; Suite on Canadian Folk Songs,
3/1:34; 5/1:18-21 “(The) Campbell’s Are Coming,” 5/2:76 Canada Council for the Arts, 4/1:19; Jean-Marie
Beaudet Award, 5/2:69 Canada on Parade [March], c, Charles F. Thiele, 5/2:76 Canada Overseas [March],
c, James M. Gayfer, 4/1:44 Canada’s Digital Collections,
5/1:21 Canadian Armed Forces Reserve, 5/2:78 Canadian Army Bands, 5/2:75 Canadian Band Association [CBA], 1/1:1; 1/2:1; 2/1:1;
2/2:51; 3/1:1; 3/2:49; 4/1:1; 4/2:57; 5/1:1; 5/2:57, 58, 70, 75, 107; cover
photo credit, 1/1:1, 31; 4/2:75; Festival Repertoire List, 1/2:6-8; 4/1:2,
51-52; CBA News, 1/2:6; 2/1:48; 2/2:95;
3/1:42-44; 3/2:94-97; 4/1:51-52; 4/2:111; 5/2:107; Presidents 1931-2000,
1/1:3; National Band Award, 4/1:7; 4/2:111; 5/2:107; 75th
Anniversary, 5/1:4, 5-7; First Provincial Presidents, 5/1:5; Chapter History,
5/1:6; Programs & Services, 5/1:7; Licentiate (L.C.B.A.), 5/1:5; Fellowship
(F.C.B.A.), 5/1:5 (“The)
Canadian Band Association,” Allan J. Calvert, 1/1:31 “Canadian Band Association Festival List
Sanctioned 2003,” Connie Turner, 1/2:6-8 Canadian Band Directors Association (CBDA), 5/1:5;
1978 conference, 5/1:6 (The) Canadian Bandmaster [journal/revue], 5/1:5 Canadian Bandmasters Association, 5/1:5; 5/2:75, 76 Canadian Band Journal [journal/revue], 5/1:5, 6 (The) Canadian Brass, 4/2:74,
91, 93 Canadian Broadcasting Corporation, see/voir CBC “Canadian Calvacade” [CBC/Radio-Canada],
4/2:72 Canadian Centennial Commission, 2/1:11 Canadian composer interviews: Donald Coakley,
2/2:60-65; Michael Colgrass, 3/2:57-61; Howard Cable, 4/2:72-77; Phil Nimmons,
5/2:71-74. Canadian Conference of the Arts,
5/1:8 Canadian Academy of Music [Toronto,
ON], 4/1:36 (A) Canadian Folk Rhapsody, c, Donald
Coakley, 5/2:70 Canadian Folk Rhapsody, c, Curnow,
James, 5/2:70 Canadian Impressions [CD], 4/2:76 Canadian Landscape, c, James Gayfer,
3/1:32 Canadian Landscape [CD], 4/2:77 Canadian League of Composers, 4/1:19 Canadian Council on Learning, 5/1:8 Canadian Learning Institute,
5/1:8 Canadian Music Centre (CMC), 2/1:2, 5; 3/1:3-5, 35; 4/1:19,
20, 21, 22; 5/1:34; Ettore Mazzoleni Library, 4/2:72, 76, 77 “(The) Canadian Music Centre: A Primer,” Jason van
Eyk, 3/1:3-5 Canadian Music Competition, 5/2:90 Canadian Music Educators’ Association (CMEA), 4/2:58,
98; 5/1:4, 5, 6, 8; 5/2:58, 70; Symposium 2003, 2/1:9; National Convention
1972, 4/2:97; Canadian Music Educator [journal/revue], 4/1:13; 5/1:32; 5/2:68 Canadian Musical Heritage Society (CMHS), 4/1:39;
5/2:78, 95; The Canadian Musical Heritage, Vol. 21, Music for Winds I: Bands, 5/2:78; Vol. 24, Music for Winds II: Ensembles, 4/1:39 Canadian National Exhibition (CNE) [Toronto, ON],
2/1:1 [cover photo credit]; 4/2:65, 75; 5/1:5, 6, 10 Canadian Opera Company Orchestra [Toronto, ON], 5/2:90 Canadian Patrol, c, Herbert L. Clarke,
5/2:76 Canadian Patrol, c, John Slatter,
5/2:75-78 Canadian Patrol, c, Albert O. Williams,
5/2:76 Canadian Recording Industry Association (CRIA), 4/2:63 Canadian shield, 4/2:90 Canadian Sketches, c, James
Curnow, 5/2:70 Canadian Stage Band Festival
1984, 4/2:98; 5/1:6; 5/2:73 Canadian Tire Corp., 5/2:79 Canadian repertoire, articles
on: “20th-Century
Canadian Concert Music for Bands and Wind Ensembles: An Introduction,” Timothy
Maloney, 1/1:32-37; “Canadian Wind-Band Repertoire:” (1) Denise Grant, Keith
Kinder, Jeffrey Reynolds, 3/1:31-35; (2) Michael Purves-Smith, 4/1:19-22; (3)
Fraser Linklater, 5/1:33-38 Canadian repertoire, individual titles: see/voir:
Applebaum, Bell, Buhr, Cable, Calvert, Carlson, Chan, Chatman, Coakley, Colgrass,
Court, Curnow, Duff, Estacio, Forsyth, Freedman, Gayfer, Gilliland, Greenwood, Hatch,
Healey, Herberman, Jutras, Kulesha, MacKay, MacLaughlan, Marlatt, McPhee, Mercure,
Morawetz, Nimmons, Polgar, Purves-Smith, Raum, Slatter, Smallman, Sirulnikoff, Thiele,
Wade West, Weinzweig, Canadian Wind Band Repertoire
Project, 2/1:2-3; 5/1:23 Canadian Winds [journal/revue], 1/1:1, 2; 38; 1/2:1, 2; 3, 54; 2/1:1, 43; 2/2:49, 94;
3/1:1, 48; 3/2:49, 100; 4/1:1, 56; 4/2:57, 112; 5/1:1,
6, 30, 32, 56; 5/2:57, 67, 68, 79, 107, 108 (The) Canadiana Scene via Phil Nimmons [LP/33 tours], 5/2:74 “Canadians in Cuba: Making a Difference,” John C.
Anderson, 3/2:51 Candide, c, Bernstein,
Leonard, 4/1:8 Cannon River [Northfield, MN],
5/1:39 CanSona Arts Media [records/disques],
4/1:39 Cantando Music Festival [Edmonton],
4/2:98 Cantos, c, Donald
Coakley, 3/1:32 Cape Spear [NL], 5/2 :23 Carey Dance, c, Phil Nimmons, 5/2:74 Carignan-Salières Regiment, 5/1:24 Carl Fischer [publisher/éditeur],
5/1:17; 5/2 :76 Carleton College [Northfield,
MN], 5/1:39 Carlson, Bruce, c, Gloria: A Contemporary Chorale, 4/2:101 Carnegie Hall [NY], 4/1:36; 4/2:74; 5/2:80, 1953 Canadian
concert, 5/2:92 “Carnival of Venice,” 5/2:97 Carter, Michael, 5/2:71 Carter, Ron, 4/2:82 Cartier, Jacques, 5/1:24 Cascade Orchestra [Kitchener,
ON], 4/2:73 Case (instrument),
maintenance & handling, 4/1:46; 5/2:98 Casey, Michael, 5/1:42 Caswell, Mark, “The Do’s and Don’ts of Music
Festivals,” 3/2:78-79, 83; “Student Leadership Can Make the Difference: Music
Councils that Work,” 4/1:53-55 CBA, see/voir Canadian Band Association CBA News, 1/2:6;
2/1:48; 2/2:95; 3/1:42-44; 3/2:94-97; 4/1:51-52; 4/2:111; 5/2:107 “(The) CBA’s National Youth Band of
Canada: A Chronicle,” Jim Forde, 3/1:42-44 (see also/voir aussi , « L’Harmonie
nationale des jeunes du Canada, projet phare de l’ACH : Historique ») CBC [Canadian Broadcasting Corporation], 5/2:74; CBC
Saskatchewan, 4/2:98; “Anthology,” 5/2:73; CBC Records, 4/1:38, 39;
4/2:77; 5/2:95; CBC Vancouver, 4/2:74, 78; CBC Vancouver Chamber Orchestra,
4/1:39; CÉGEP de Trois-Rivières [QC], 4/2:66 Celebration 100, c, Louis Applebaum, 4/1:19 Celebration York, c, Louis
Applebaum, 4/1:19 Cello, 4/1:21 Celtic Dance, c, Douglas
Court, 3/1:31 Centennial Auditorium
[Saskatoon, SK], 4/2:97 CenterPitch®,
4/2:82 Centraide [United Way],
4/2:66 Central Band of the Canadian
Forces, 3/2:1 [cover photo credit/attribution de la photo de la page couverture];
3/2:53-56; 5/1:27 (“The) Central Band of the Canadian Forces,” Catherine
Hammond, 3/2:53-56 Central Park [NY], 4/2:74 Centre de musique canadienne
(CMC), 2/1:2, 5; 3/1:3-5, 35; 4/1:19-22; 5/1:34; Musicothèque Ettore Mazzoleni,
4/2:72, 76, 77 Centre for Interdisciplinary Research in Music and
Media Technology [McGill U, QC], 4/2:62 Centre national des arts (CNA) [Ottawa],
4/1:19; 4/2:58; 5/1:4, 8 Century Saskatoon Album
Project, 4/2:98 Ceól Mearsáile i gCóir Socraide, c, Sean O’Riada,
5/1:41 Chamber music, 1/2:55-56, 48 Chambers, Paul, 4/1:34 Champagne, Claude, 5/2:91 Chan, Agnes S., 4/2:62 Chan, Ka-Nin, c, Memento Mori, 3/1:34 Chance, John Barnes, c, Incantation and Dance, 4/2:61 Chandos Records
[records/disques], 4/1:38 Chantons en français (LP/33 tours), Hélène Baillargeon, 5/2:70 Chappell (Warner Chappell Music, Inc.) [publisher/éditeur],
4/1:20; 4/2:73-77; Chappell Army Journal, 4/2:77 Characteristique Overture, c, Charles F.
Thiele, 5/2:76-78 Charles E. Charles, 5/1:27; “The Music of John Slatter
and Charles F. Thiele,” 5/2:75-78 Charles P. Allen HS [Bedford, NS], 5/2:88 Charlottetown Festival Orchestra [PEI], 5/2:81 Charlie Russell Suite, c, Howard
Cable, 4/2:74 Charpentier, Gabriel, 5/2:91 Châteauguay March, c, Frederic
Henri Glackmeyer, 5/1:24 Chatham Kilties March, c, Charles
F. Thiele, 5/2:76 Chatman, Stephen, c, Grouse Mountain Lullaby, 4/2:101; 5/1:33-34 Chavez, Carlos, 4/1:38 Chestnut Brass Co. [ensemble,
PA], 5/1:39 Chestnut Hall Music
[recordings/disques], 4/1:20 Chicago: Boys’ Band, World’s
Fair, 5/1:11 Children’s Wish Foundation,
4/1:55 Chmura, Gabriel, 5/2:69 Chord progressions, 4/1:18 Chord symbols, 4/1:17 Christian, Charlie, 4/1:34 Christianson, Mark, et al, “Frederick Fennell, 1914-2004,” 3/2:93 Chromatic scales, 4/1:17, 18 Chycoski, Arnie, 5/1:12 Cichosz, Zbigniew, 4/2:110 Ciepluch, Gary M., 5/2:77 Cigarette paper, 5/2:80 Cincinnati Youth Wind Ensemble
[OH], 5/1:45 Cipolla, Frank, 5/2 :88 Circle of fifths, 4/1:17 Cité de la musique [Paris], 5/1:39 CJVB [radio, Vancouver],
4/1:4; 5/1:40 CJRT [radio, Toronto], 5/2:74 CKAC [radio, Montreal], 4/2:64 CKCR [radio, Waterloo], 5/2:76 Clarinet/Clarinette, 4/1:23-26; care/soin, 4/1:15; 4/2:102;
embouchure, intonation, technique, 4/1:23-26; breathing, harmonics, tone, reed
balancing, equipment pouch, difference tones, glissando, vibrato, double tonguing, circular breathing,
klezmer, legato, mouthpieces, 4/1:45 (The) Clarinet [journal/revue], 4/1:26 “Clarinet Secrets,” Michèle
Gingras, 4/1:23-24 Clarinet Secrets: 52 Performance Strategies for the
Advanced Clarinetist, Michèle
Gingras, r, Timothy Maloney, 4/1:23 Clark, Don, 5/1:12 Clark, Mathew, 4/1:44 C. L. Barnhouse [publisher/éditeur],
5/1:17 Clifford Ford Publications [publisher/éditeur], 5/2:78,
96 “A Clinic on Jack Sirulnikoff’s Variations on a
Rollicking Tune,” Fraser Linklater,
2/2:82-85 Clinicians, 4/2:95-96 Clongowes Wood College [Ireland],
5/1:41 C Major scales, 4/1:17 CMEA, see/voir Canadian Music Educators Association CMHS, see/voir Canadian Musical Heritage Society Coakley, Donald, l, 2/1:5; i,
2/2:60-65; c, A Canadian Folk
Rhapsody, 5/2:70; Cantos, 3/1:32; Donkey Riding, 4/2:101; 5/1:34; Land of the Silver Birch, 4/2:101; Lyric Essay, 3/1:32; Songs for the Morning Band, 4/1:20; 4/2:101 Coalition for Music Education in Canada, 2/1:10; 2/2:53-55;
3/1:6; 3/2:50, 52; 4/1:5; 4/2:58, 62-63; 5/1:4, 8; 5/2:60 Cobain, Kurt, c, Rape Me,
4/1:33 Cobb, Jimmie, 4/1:34 Cobequid Educational Centre [NS]: CEC Symphonic Band,
5/2:63; CEC Jazz Choir, 5/2:64 Cochrane, Ian, r, Pathways by Joseph
Alsobrook, 2/1:42; 2/1:48; 2/2:51; “Order in the Band Room,” 3/2:98-99; r, Collage
[CD], 4/1:44; “Study Guide on Three Folk Miniatures by André
Jutras,” 5/2:69-70 Cock O’ The North, c, John Slatter, 5/2:75 Codling, Georges, 4/2:65 Coker, Jerry, c, Patterns for Jazz, 4/1:17 Colgrass, Michael, i, 3/2:57-61; c, Arctic Dreams, 3/1:34; Old
Churches, 3/2:59-60; Déjà vu, Winds of Nagual, Urban Requiem, Dream
Dancer, Apache Lullaby, The Beethoven Machine, Gotta Make Noise, 3/2:60 Colin McPhee: Composer in
Two Worlds, Carol Oja, 4/1:39 “Colin McPhee’s Concerto for Piano and Winds,” Timothy
Maloney, 4/1:36-39 (“The) Collaborative Music
Room,” Jeffrey Reynolds, 4/1:11-13 Collage [CD], 4/1:44 Collections numérisées du Canada, 5/1:21 College Band Directors
National Association (CBDNA), 5/2:107 College Nine [Saskatoon, SK], 4/2:97 Collège Sacré-Coeur de Sorel [QC], 4/2:65 Collier (Collagrosso), Ron,
5/1:11, 13 Colour Wheel, c, Malcolm
Forsyth, 4/1:19 Coltrane, John, 4/1:18 Commission de la culture de la Ville de Sorel-Tracy [QC], 4/2:66 Commission du centenaire canadien,
2/1:11 Committee for the Investigation
of Wind Music, 4/1:4 Community bands, 4/1:5 The Composer and His Art, Gordon Jacob, 5/2:86 The Composer’s Advocate: A Radical Orthodoxy for
Musicians, Erich Leinsdorf, 4/1:13 Composers Recordings, Inc. (CRI) [recordings/disques], 4/1:39 Compositeurs au Québec, Louise Laplante, éd., 5/2:96 Comprint [publisher/éditeur],
4/2:76, 77, 101; 4/1:22 Concerto for Euphonium, c, Philip
Walker, 4/1:44 Concerto for Piano and
Wind Ensemble, c, Kevin Volans, 5/1:42 Concerto for Piano with Wind Octette Accompaniment, c, Colin
McPhee, 4/1:36-39 Concerto for Wind
Orchestra, c, Colin McPhee, 4/1:38 Concert in the Park [CD], 4/2:76 Concordia U [Montréal, QC], 4/1:35 Concours de musique du Canada,
5/2:90 Condon, Richard & Sheridan Stokes, Illustrated
Method for Flute, 5/1:32 Conducting, 1/1:15, 21-28; 4/1:8-10, 11-13; 4/2:68-71;
5/1:14-16, 36; 5/2:66-68; anacrusis, 5/1:36 Conducting with Feeling, Frederick Harris Jr., 1/1:39; 5/1:15 (The Modern) Conductor,
Elizabeth Green, 4/2:68; 4/1:9 Conductors’ Guild Workshop,
4/1:10, 42 Conférence canadienne des arts,
5/1:8 Connections in Brass [CD], 4/2:76 Conn-Selmer, Inc. [instruments], 4/1:18 Conseil canadien sur l’apprentissage, 5/1:8 Conseil des arts du Canada,
4/1:19; Prix Jean-Marie Beaudet, 5/2:69 Conservatoire de musique de Montréal [QC], 4/2:66 Conservatoire de musique de Trois-Rivières [QC], 4/2:66 Conservatoire de musique du Québec à Montréal [QC], 4/2:65 Conservatoire national de Montréal [QC], 4/2:66 Conservatory for Music and the Performing Arts [Graz,
Austria], 4/1:4 Contemporary Music Centre of
Ireland [Dublin], 5/1:41 Conversations, c, Phil Nimmons,
5/2:72 “Conversations with Michael
Colgrass,” Denise Grant, 3/2:57-61 Converse College [Spartanburg,
SC], 5/1:45 Convocation Hall [U of
Saskatchewan], 4/2:97, 99 Coon, Bill, 4/1:31 Copland, Aaron, 5/2:91; c, Fanfare for the Common Man, 4/1:36; 4/2:79; Outdoor Overture, 4/1:44; Quiet City, 5/2:73; Copland-Sessions Concerts, 4/1:36 Cork School of Music Concert
Band [Cork, Ireland], 5/1:43 “Cornets or Trumpets? Considerations on the Use of
Cornets in Modern Day Performances of Early Band Music,” Daniel Doyon,
1/2:24-25 « Cornets ou trompettes? Réflexions
sur le rôle du cornet à pistons dans l’harmonie de concert actuelle », Daniel
Doyon, 1/2:25-27 Corporon, Eugene, 4/2:59;
4/1:8 CosmoDôme [Laval, QC], 4/2:90 Cosmopolitan Music Society
[Edmonton], 2/1:11-12 Counterpoint Musical Services [retailer/détaillant],
4/2:74, 77; 4/1:19 The Courage to Teach: Exploring the Inner Landscape
of a Teacher’s Life, Parker Palmer, 1/1:41 Courante, 5/2:67 Court, Douglas, c, Celtic Dance, 3/1:31; Journey
to the New World, 4/2:101 Cover Photos: Orangeville Band, 1878, 1/1; Ontario
Bandmasters, 1931, 1/2; Waterloo Musical Society Band, 1935, 2/1; Hannaford
Street Silver Band, 2002, 2/2; Royal Canadian Artillery Band, 3/1; Royal
Canadian Air Force Central Band, 1961, 3/2; Yorkton Regional HS Band, 1998,
4/1; Calixa Lavallée Band of Sorel, 1917-18, 4/2; Kitsilano Boys Band, 1936,
5/1; Cobequid Educational Centre Symphonic Band, 1990-91, 5/2 Covey, Stephen R., The 7 Habits of Highly Effective
People, 3/2:62-65 Cowell, Henry, 4/1:36, 37 Crane School of Music [Potsdam,
NY], 5/1:34 Crazy Glue®,
5/2:79 (The) Creative Director: Alternative Rehearsal
Techniques, Edward S. Lisk, 5/2:86 CRIA, see/voir Canadian
Recording Industry Association Crimean War, 4/2:64 “Creative Rhythmic Warm-Ups for Wind Bands,” Denise
Grant, 1/1:48, 47 Crimond, c, David Marlatt, 4/2:101 Critiques
et comptes-rendus, 1/1:39-41; 1/2:42-46; 2/1:35; 2/2:86-88; 3/1:36; 4/1:43-45; 4/2:101; 5/2:97 Crompton, Marc, “WASBE Canada,” 2/1:8, 10 Cruzatte, Pierre, A
Musical Journey with Lewis and Clark,
5/1:21; Csikszentmihalyi, Mihaly, Flow: The Psychology of Optimal Experience, 5/1:14, 44, 45 Cuba, 3/2:51 Cui, Jie, 5/1:54 Curnow, James, c, Canadian Folk Rhapsody, Canadian Sketches, 5/2:70; Fanfares and Flourishes, 5/2:97 Curragh Command Band [Ireland],
5/1:41 Curtis Institute of Music [Philadelphia,
PA], 5/1:32 Cykler, Edmund, 5/2:88 Daellenbach, Charles, 4/2:93 Dalcroze Eurythmics, 5/2:67; Dalcroze
Society of America, 5/2:67 Dalcroze Eurythmics in Today’s Music Classroom, Virginia Hoge Mead, 5/2:67 Dallapiccola, Luigi, 5/2:91 Dargason, c, Gustav
Holst, 5/2:88 Dauphin Regional Honour Band [Dauphin,
MB], 4/2:111 Davard, Sophie, 4/2:99 Dave McMurdo Jazz Orchestra
[ON], 4/1:31 Davidson, Robert (“Randy”),
4/2:97 Davies, Dennis Russell,
4/1:39 Davis, Heather, 4/1:44 Davis, Miles, 4/2:82 Dawson, Jacqueline, 4/1:2; [with K. Simon] “2005 CBA
Festival Repertoire List,” 4/1:51-52; [with M. Purves-Smith] “An Interview with
Howard Cable,” 4/2:72-77 Dean, Alexander, 5/2:73 Deane, Raymond, c, Alembic,
5/1:42 “Death to the Beat,” Denise
Grant, 4/1:8-10 Debost, Michel, The Simple
Flute: From A to Z, 5/1:32 Debussy, Claude, 4/1:38 DeJong, Mark, 4/2:98; 4/1:43 Delamont, Arthur W., 5/1:10-13; Gordon, 5/1:11; c, Ontario Suite, 4/2:97; Leonard Samuel, 5/1:10; Vera, 5/1:11 Della Fonte, Lorenzo, 4/2:99 “Demystifying the Bassoon,” Christopher Weait: Part 1,
2/2:66-72; Part 2, 3/1:17-20 Density 21.5, c, Edgard
Varèse, 4/1:38 Department of National
Defence [Ottawa], 4/2:73 Depoe, Norman, 4/1:44 Dervan, Michael, 5/1:42 Desmond, Paul, 4/1:34 Detroit SO [MI], 5/2:75 “D’Hier à aujourd’hui de St. Michel à Paris,” 4/1:43 Diminished scales, triads,
sevenths, 4/1:17 Directives
de rédaction, 1/1:38; 1/2:54; 2/1:43; 2/2:94; 3/1:48; 3/2:100; 4/1:56; 4/2:112 ; 5/1:56;
5/2:108 Disjunct rhythms, 4/1:38 Disneyland [CA]: “Magic Music
Days,” 4/1:6 Division de la musique,
Bibliothèque nationale du Canada [Ottawa], 2/1:1 [attribution de la photo de la
page couverture] Do I Know You ?, c, Phil
Nimmons, 5/2:74 Doane, Chalmers, 5/2:62, 64,
65 Dodworth Saxhorn Band [MI],
5/1:39 Dolce Woodwind Quintet [MN],
5/1:39 Dominant seventh chords,
4/1:17 Don Bosco School [Calgary,
AB], 5/2:78 Donkey Riding, c, Donald
Coakley, 4/2:101 Dorian mode, 4/1:17; 5/1:18,
19 (The) Dorian Way, c, Phil
Nimmons, 5/2:74 (“The) Do’s and Don’ts of Music Festivals,” Mark
Caswell, 3/2:78-79, 83 Double bass, 4/1:21 Double reed instruments,
2/2:89 Double-tonguing, 5/1:45 DownBeat [magazine]
Achievement Award for Jazz Education, 5/2:71 Doyle, Roger, c, Under the Green Time, 5/1:42-43 Doyon, Daniel, 2/2:1; 3/1:1 3/2:1; “Cornets or
Trumpets? Considerations on the Use of Cornets in Modern Day Performances of
Early Band Music/Cornets ou Trompettes? Réflexions sur le rôle du cornet à pistons dans
l’harmonie de concert actuelle,” 1/2:24-27; Podium
Notes/Notes du Podium [with
T.Maloney & F. Linklater], 2/2:50; tr, “L’Harmonie nationale des
jeunes du Canada, projet-phare de l’ACH: historique,” 3/2:94-97 Dreamscapes, c, Allan
Gilliland, 4/2:101 Dreamworld, c, Declan Townsend, 5/1:43 Drumline [film], 5/1:9 Drury, Stephen, 4/1:39 Dublin Institute of Technology
Wind Ensemble [Ireland], 5/1:42 Duff, James, c, Newfoundland Folk Song, Petty Harbour Bait Skiff, 4/2:101 Duke of Kent and Strathearn,
Prince Edward Augustus, 5/1:25 Duke of Richmond and Lennox,
5/1:24 Duke, Robert, 4/1:15 Dunnville Boys Band [Dunnville,
ON], 5/2:63 Durham Schools Beginning Band Symposium 2000 [ON],
1/2:10-11; Honour Band, 5/1:23 Dvorak, Antonin, 1/1:43 Dvorak, Thomas L., 4/2:59;
5/2:77 Dynamics, 4/2:70 DyVersaCo Polka Band [MN],
5/1:39 e440 [www.e440.ca], 5/1:8 An Earful: A Teacher’s Guide to Listening, Sharon Fitzsimmons, 5/1:8 Earle of Oxforde’s Marche, c, William
Byrd, 5/2:88 Ear training, 4/1:18 Eastern Provincial Airlines,
5/2:73 Eastman Rochester Orchestra, 4/1:38; Eastman School of
Music [Rochester, NY], 4/2:78; 5/2:81; ESM Wind Ensemble, 4/1:5; 5/1:27; 5/2:95,
96 Eckhardt-Gramatté
Conservatory of Music [Brandon, MB], 4/1:40 Eckhardt-Karpe, Kai, 4/1:34 Eckroth, Marvin, 4/2:78, 98;
4/1:40 École Golden Gate Middle
School [Winnipeg, MB], 4/2:110 Edinburgh [UK], 5/1:12 Edmonton [AB]: 5/1:27; Edm. Wind Symphony, 4/2:76, 77;
Edm. SO, 4/1:19; 5/2:69; Edm. Wind Ensemble, 5/2:95 “Edmonton’s Cosmopolitan Music Society: 40 Years and
Still Blowing Strong,” Audrey Shonn, 2/1:11-12 Ed’s Comp, c, Phil Nimmons, 5/2:74 (L’)Éducateur de musique au
Canada [revue/journal],
4/1:13; 5/1:32; 5/2:68 EEE-Suave, c, Phil Nimmons, 5/2:74 Effortless Mastery, Kenny Werner, 1/2:42-43 Eighth Note Publications [publisher/éditeur], 2/1:5; 4/1:21, 22; 5/1:18, 21, 26, 27 Einstein, Albert, 1/1:43 Elder Conservatorium [Adelaide,
Australia], 4/1:26 Eldridge, Linda-Jean, 5/2:64 Electro-acoustic music,
5/2:91 (The) Elements of Orchestration, Gordon Jacob, 5/2:86 Elim Tabernacle Church [Saskatoon,
SK], 4/2:98 Elizabeth II [Queen/reine],
4/1:6; 5/1:10 Ellington, Edward Kennedy (“Duke”),
5/1:11; 5/2:74 Elliott, David J., Music Matters: A New Philosophy
of Music Education, 4/1:15, 16;
5/2:78 Ellis, Vernon, 5/2:62 Elloway, Lt. K. A., 5/1:5 Elmes, Barry, 5/2:74 “Emperor” Concerto, c, Ludwig
van Beethoven, 4/2:59 Empey, Gail, 4/1:6 Empress of Britain [ship/navire], 5/1:11, 12 Empress of Ireland [ship/navire], 5/1:10 “Encouraging Female Participation in Instrumental
Jazz,” Lisa Lorenzino, 2/2:73-75 Encyclopedia of Music in Canada/Encyclopédie de la
musique au Canada, 4/2:77, 78; 5/1:21,
27; 5/2:78 England, Peter, 2/1:48;
2/2:51 English Channel, 5/1:12 English folk songs, 4/1:20 English Folk Song Suite, c, Ralph
Vaughan Williams, 4/2:68 Enharmonics, 4/1:18 Enns, Corah, “Sound Advice: Preparing Recorded
Auditions,” 4/1:40 En
Perspective, 1/1:31; 1/2:16-17; 2/1:11-12; 2/2:58-59; 3/1:7-8; 3/2:53-56; 4/1:6-7;
4/2:64-66; 5/1:10-13; 5/2:62-65 Ensemble Nouvelle-France [QC], 5/1:27 Epp, Ken, 1/1:1; 1/2:1, 12; 2/1:1; 2/2:49, 51; 3/1:1; 3/2:49; 4/1:1, 2; 4/2:57, 111;
5/1:1, 5-7; 5/2:57, 58, 107 Erickson, Frank, 5/2:105 Esprit Orchestra [Toronto],
4/1:38; 5/2:90 Estacio, John, c, Frenergy,
5/1:8 Estevan [SK], 4/1:7 Euphonium/Baritone, 4/2:73;
5/1:34-38 European Broadcasting Union,
5/1:42 Eurythmics: see/voir Dalcroze Eurythmics, 5/2:67 Évangelista, José, 4/1:38 Evans, Bill, 4/1:34 Evolution: A Theme with Variations [video; music by/musique d’ Elizabeth Raum], 4/2:78 Expo ’67 [Montréal], 4/2:75 Expo ’86 [Vancouver], 4/1:6 Extended tertial harmonies,
4/1:38; 5/2:95 Eyk, Jason van, 2/1:2; “The Canadian Music Centre: A
Primer,” 3/1:3-5; 4/1:22 Faith, Percy, 4/2:73 Family of Volunteers: An Illustrated History of the
48th Highlanders of Canada,
George W. Beal, 5/2:78 Fandango, c, Frank Perkins,
4/2:61 Fanfare des Zouaves de Sorel [QC],
4/2:64 Fanfare for the Common Man, c, Aaron
Copland, 4/2:79 Fantasia for Alto
Saxophone and Band, c, C. T. Smith, 4/2:98 Fantasy (form/forme), 5/1:34 Fantasy Variations on a Theme by Niccolo Paganini, c, James
Barnes, 4/2:61 Farmer, Ernest, 4/1:36 Farmer, Henry George, The Rise & Development of
Military Music, 5/1:27 Farnon, Robert, 4/2:73 Farrell, Eibhlís, c, Soundshock, 5/1:43 Farrell, Susan, Tools for
Powerful Student Evaluation: A Practical Source of Authentic Assessment
Strategies for Music Teachers, 5/2:87 Faubourdon, 4/1:19 Federal Cultural Policy
Review Committee, 4/1:19 Fédération des harmonies du Québec (FHQ), 5/1:6 Fédération des harmonies et des orchestres
symphoniques du Québec (FHOSQ), 4/2:64-66 Feldbrill, Victor, 4/2:72 Fennell, Frederick, 3/2:93; 4/1:8, 10; 4/2:60; 5/1:14-16;
Time and The Winds, 5/1:17; 5/2:88 Fennell: A Tribute to
Frederick Fennell, Robert Simon,
4/1:5 Fergus Falls [MN], 5/1:17 Ferguson, Maynard, 4/2:73 Ferland, Armand, « La musique
militaire à travers les siècles » : 1ère partie, 2/2:76-79; 2e partie,
3/1:26-30 Fernie, Pattie, 4/2:110 Ferraris,
Normand, tr, Message du président, 3/2:50 Festival de l’harmonie de
Sherbrooke [QC], 4/1:6; 4/2:91 Festival de l’harmonie du Québec [QC], 4/2:90 Festival of Britain (1924) [UK],
5/2 :85 “Festival Repertoire List (2005),” Jacqueline Dawson &
Karem Simon, 4/1:51-52 Festivals, 1/1:29-30; 3/2:78-79, 83 Festive Overture, c, Dmitri
Shostakovich, 4/1:43 Fêtes du Canada, 4/2:65 Feuerstein, Georg, 5/2:60 (La) Fiesta Mexicana, c, H. Owen Reed, 4/2:59 Fife, 5/1:26 Finale® [software/logiciel],
4/1:41; 5/2:78 Finlay, Janice, “Getting the Most out of your Jazz
Clinician,” 4/2:95-96 Finnegan’s Wake, A. J. Potter, 5/1:41-42 First Life Guards Band [London,
UK], 5/2:75 First Maritime Band
Conference (1957), 5/2:62 First Wisconsin Brigade Band
[Watertown, WI], 5/1:39-40 First World War, 5/2:75 Fisher, Allen, 4/2:74 Fisher, Dennis, 4/2:99 (The) Fisher Who Died in His Bed, c, John
Herberman, 3/1:33 Fitzgerald, Ella, 4/2:74 Fitzsimmons, Sharon, Just One More Time, 4/1:12; An Earful – A Teacher’s Guide to
Listening, 5/1:9; Everything but
the Kitchen Sink, 5/2:60 Fitzwilliam Virginal Book, 5/2:85 Five American Gospel Songs, c, Luigi
Zaninelli, arr, 4/2:61 Five O’Clock Bells/Mo’
Breau [CD], 4/1:34 Fleischmann, Aloys, c, Four Fanfares for An Tóstal, 5/1:41 Flow: The
Psychology of Optimal Experience, Mihaly
Csikszentmihalyi, 5/1:14, 44 Flute: playing fundamentals, 3/2:69-73; vibrato
fundamentals, 5/1:30-32; triple-tonguing, 5/2:94; care, 4/1:15, 21; 4/2:102; Density
21.5, Georges Barrère, 4/1:38 Flute Talk [journal/revue], 5/1:32 Flute World
[retailer/détaillant], 5/1:32 Flux in a Box, 4/1:43 Folksongs of French Canada (LP/33 tours), Alan Mills, 5/2:70 Foote, Gordon, 1/1:1; 1/2:1; 2/1:1; 2/2:49; 3/1:1;
3/2:49; 4/1:1; 4/2:57; 5/1:1; 5/2:57; “Big Band Directing/Conducting: What Is
That All About?” 1/1:25-28; “Is It Musical,” 2/1:23-24; “Button Pushers or
Musicians?” 4/1:17-18, 43; r, Bumper
Crop III/ Prairie Rhythms [CD],
4/1:43; Footsteps in Time [CD], 4/2:77 Forde, C.J. (Jim), President’s
Message/Message du président, 1/1:3; 1/2:3; 2/1:4; “National Youth Band
of Canada 2003,” 1/1:4; “In Memoriam: Lieutenant Colonel Clifford O. Hunt, C.D.,”
1/2:16; “The CBA’s National Youth Band of Canada: A Chronicle,” 3/1:42-44; “L’Harmonie
nationale des jeunes du Canada, projet-phare de l’ACH: historique” (tr, Daniel Doyon), 3/2:94-97 Form [musical], 4/2:70, 79; 4/1:18 “For Maria,” 4/1:43 Forsyth, Cecil, Orchestration, 4/2:72, 77 Forsyth, Malcolm, c, Colour Wheel, 4/1:19 Fort San [SK], 4/2:97 48th Highlanders
Band [Toronto], 5/2:75 Foster, Stephen, 5/1:39 Four Fanfares for An Tóstal, c, Aloys
Fleischmann, 5/1:41 Frances Winspear Centre for
Music [Edmonton], 4/1:43, 44 Francoeur, de Chevalier Alfred, 4/2:64 Franco-Prussian War, 4/2:64 “Frederick Fennell, 1914-2004,” Fraser Linklater, Jane
Paulson, Lynne Simonson, Mark Christianson, 3/2:93 Fred’s Frolic, c, Brian
Boydell, 5/1:41 Freedman, Harry, c, Sonata for Wind Orchestra, 3/1:34; À la claire fontaine, 4/2:101; Blanche comme la neige, 4/2:101; 5/1:34-36 Friends Departed, c, Phil Nimmons, 5/2:74 A French-Canadian Suite, c, Arnold
MacLaughlan, 4/2:101; 5/2:70 French horn: repairs, 2/1:36;
care, 4/2:102 Frenergy, c, John
Estacio, 5/1:8 A Fresh Approach to Music Making [video], Larry Rachleff, 4/2:68 Friberg, F/Lt. Carl, 5/1:5 Friedheim, Arthur, 4/1:36 Friesen, James, 4/2:97 Friesen, Mark, 5/2:58; President’s Message/Message du président,
2/2:51; 3/1:2; 3/2:50; 4/1:2; 4/2:58; 5/1:4 Frisell, Bill, 4/1:34 From Chaos to the Birth of
a Dancing Star, c, Allan Bell, 4/1:21 From the Mountains Rising [CD], 4/1:19 Froseth, James, 4.2:59 Fryett, Jere, 4/2:98 Fugue, 4/1:19 “Fundamentals of Successful Flute Playing,” Jonathan
Bayley, 3/2:69-73 “Fundamentals of Teaching Flute Vibrato,” Jonathan
Bayley, 5/1:30-32 Gagnon, Ernest, 5/1:18 Galway, James, 5/1:30, 32 Galwey, W. Timothy, The
Inner Game of Tennis, 4/2:80; 5/1:15 Gamelan, 4/1:38 Michael Gandolfi, c, Vientos y Tangos, 4/2:61 Garant, Serge, 4/1:38; 5/2:92 Garcia, Oscar Jose, 5/1:32 Garofalo, Robert, 4/2:68, 99; Blueprint
for Band, 5/2:106; Guides to Band
Masterworks, 5/2:85 Gärtner, Jochen, The Vibrato, with Particular
Consideration as Given to the Situation of the Flutist, 5/1:32 Gatien, Greg, 4/1:40; 4/2:98 Gaudry, Danielle, tr, Message du président, 4/1:2; 4/2:58; 5/1:4; 5/2:58 Gayfer, James M. (Jim), 5/2:64; c, Canadian Landscape, 3/1:32; Canada Overseas [March],
4/1:44 General Gordon School [Vancouver,
BC], 5/1:10 General Motors, 4/2:75 Geneva Conservatory [Switzerland/Suisse],
5/2:67 Genge, Anthony, 4/1:38 Genius of the Electric
Guitar [CD], 4/1:34 George III [King/roi], 5/1:24 Georges Barrère Little Symphony
[NY], 4/1:39 Gershwin, George, c, Strike Up the Band, 4/1:44 “Getting the Most out of Your Jazz Clinician,” Janice
Finlay, 4/2:95-96 Getz, Stan, 4/2:81 Ghiglione, Brent, 5/1:8 Ghiglione, Nadine Shalley,
4/1:6 GIA Publications, Inc. [Publisher/éditeur],
4/2:78 Gigue, 5/2:67 Gilbert & Sullivan,
4/2:72 Gilbertson, James, 4/2:59 Gilliland, Allan, c, Dreamscapes,
4/2:101 Gillis, Glen, 4/1:7; 5/1:8; “Percy Grainger’s Concept
of Free Music,” 3/2:76-77; “Bands at the U of Saskatchewan: A Brief History,”
4/2:97-100 Gillis, Richard, 4/2:98;
4/1:7 Gimby, Bobby, 4/2:73; 5/2:64 Ginger Marmalade, c, Warren Benson,
5/2:105 Gingras, Michèle, “Clarinet Secrets/Secrets pour
clarinettistes,” 4/1:23-26; Clarinet Secrets: 52 Performance Strategies for
the Advanced Clarinetist, 4/1:23; r, Timothy Maloney, 4/1:44-45 (“The) Git,” 4/1:43 Glackmeyer, Frédéric Henri, c, Châteauguay March, 5/1:24 Glanville-Hicks, Peggy,
4/1:37 Glasgow [UK], 5/1:11 Glass, Philip, 4/1:21 Gloria: A Contemporary
Chorale, c, Bruce Carlson, 4/2:101 Golders Green Hippodrome [London,
UK], 5/1:10 Goldman, Edwin Franko, 5/2:75; Richard Franko Goldman,
Goldman Band, 4/2:73, 74 “Golf and the Art of Practicing Jazz Saxophone,” Paul
Read, 4/2:80-83 Gomez, Tony, 4/1:21 Good, Bill, 5/1:11 Goodman, Benny, 4/2:72 Google®, 5/1:32 Gookin, Larry, 4/2:99 Gordie King Big Band [Saskatoon,
SK], 4/2:97 Gordon, Edwin, 4/2:59 Goury, Jean-Michel, 4/2:99 Governor-General’s Performing Arts Award for Lifetime
Artistic Achievement, 5/2:71 Gowen, Lawrence, 4/1:6 Graf, Edward, 2/2:95 Graham, Jeffrey, 5/2:65 Grainger, Percy, 3/2:76-77; 5/1:18, 36; c, Irish Tune from County Derry, 4/1:8, 43; 5/1:41; Lincolnshire Posy, 4/1:43; 4/2:98; 5/2:66, 67; Shepherd’s Hey, 5/2:67 Grand Overture of Quebec, c, Jean-Chrysostome
Brauneis, 5/1:24 Grandview School of Commerce [Vancouver,
BC], 5/1:11 Grant, Denise, 1/1:1; 1/2:1, 3; 2/1:1, 2; 4/1:1, 12;
4/2:57; 5/1:1, 6, 16; 5/2:57; Podium
Notes/Notes du podium [with T. Maloney], 1/1:2; 1/2: 2-3; 2/1:2-3; “Teacher
Success: Establishing a Mentoring Program 1/1:16-20; r, Conducting with Feeling, 1/1:39; r,
The Winds of Change: The Evolution of the Contemporary American Wind
Band/Ensemble and its Conductor, 1/1:39;
r, Bumper Crop [CD], 1/1:40; r, An Artist’s Neighbourhood
[CD], 1/1:40; r, The Courage to
Teach, 1/1:41; “Creative Rhythmic
Warm-Ups for Wind Bands,” 1/1:48-47; r, Teaching Music with Passion: Conducting, Rehearsing, and Inspiring, by Peter Boonshaft, 1/2:44; “Improve Larger Ensembles
with Chamber Music,” 1/2:55-56,48; [with K. Kinder & J. Reynolds] “Canadian
Wind-Band Repertoire,” 3/1:31-35; “Conversations with Michael Colgrass,”
3/2:57-61; “Death to the Beat,” 4/1:8-10; “The Nuts and Bolts of Score Study,”
4/2:68-71; “Zen in the Art of Conducting: Applying the Principles of
Selflessness and Mindfulness,” 5/1:14-16; “Instilling Musicianship,” 5/2:66-68 Graz [Austria], 5/1:39 Grealish, Sarah, 5/1:42 (The) Great Canadian
Tunebook, 5/1:21 (The) Great Depression,
5/1:10, 11 Great Yarmouth [UK], 5/1:11 Grechesky, Robert, 5/2:77 Green, Barry, The Inner
Game of Music, 5/1:15 Green, Elizabeth, 4/1:8, 10; The
Modern Conductor, 4/1:9 Green, Freddie, 4/1:31 (The)
Green Man Ballet [film; musique de/music
by Elizabeth Raum], 4/2:78 Green Shadows in the Woods, c, John
Herberman, 4/2:101 Greenwood, Brian J., arr., The Proud Canadian Soldier, 5/2:97 Grey Cup; parade, pre-game &
half-time shows, 4/1:6 Griffiths, John, 4/2:79, 99 Griner, Michael, 4/2:97 Grouse Mountain Lullaby, c, Stephen
Chatman, 4/2:101; 5/1:33-34 Grout, Donald J., 5/2:88 Grundman, Clare, 4/1:20; 5/2:105;
c, Irish Rhapsody, 5/1:41 Guggenheim Fellowship, 4/1:38 Guide to Score Study for the Wind Band
Conductor, Frank Battisti &
Robert Garofalo, 4/2:68 Guides d’étude sur le répertoire
canadien pour harmonies: “100
Years of Fanfares d’Elizabeth Raum,”
Jennifer McAllister, 4/2:78-79; “Suite on Canadian Folk Songs de Morley
Calvert,” Mark Hopkins, 5/1:18-21; “Three Folk Miniatures d’André Jutras,” Ian Cochrane, 5/2:69-70 Guides to Band Masterworks, Robert Garofalo, 5/2:85 Guitar, 4/1:31-35; chord durations, 4/1:31; rhythmic
figures, 4/1:31-32; chords, 4/1:31, 34-35; humbucking pick-up, Fender
Stratocaster, strings, amplifier, patch cords, 4/1:33 Gunther Schuller Medal [New
England Conservatory], 5/1:21 Gurtu, Trilok, 4/1:34 Guthman, Garry, 4/2:98 Guy, Ralph M., 5/2:62, 63 Gymnopédies, c, Erik Satie, 5/1:34 Haan, Jacob de, c, Ammerland, 5/2:105 Habla, Bernhard, 5/1:39 Hahn, Richard, 4/2:99 Haley, Ardith, l, 1/2: 4; 5/2:66 Half-diminished chords,
4/1:17 Halifax [NS], 5/2:81; Halifax
City Schools band program, 5/2:64 Hal Leonard Corporation
[publisher/éditeur], 4/2:75 Hall, Jim, 4/1:34 Halpern, Steven, 1/1:43 Halpin, William, 5/1:42 Hambourg Conservatory [Toronto],
4/1:36 Hamilton [ON], 5/1:10, 18, 40;
Philharmonic, 4/1:13; 5/1:23 Hammond, Catherine, “The Central Band of the Canadian
Forces,” 3/2:53-56 Handbook of Conducting, Hermann Scherchen, 4/2:73, 77 Handel, George Frederick,
flute sonatas, 5/1:31 Hannaford
Street Silver Band [Toronto], 2/2:1 [cover photo credit/attribution de la photo
de la page couverture], 58-59; 4/1:13; 4/2:76, 77; 5/1:23 Hanson, Howard, 4/1:37 Hants East Rural HS [Milford,
NS], 5/2:62 “Happy Birthday,” 4/1:17 Harbours, c, Phil
Nimmons, 5/2:74 Hard Oil, c, Howard
Cable, 4/2:74 Hargreaves, Donna, 5/2:64 Harmonic minor scales, 4/1:17 Harmonics, 4/1:45 « Harmonie Calixa-Lavallée
de Sorel, Québec : 90 ans d’histoire », Gilles Valois, 4/2:64-66 Harmonie de la Cité de Sorel [QC], 4/2:64 Harmonie des garcons de Kitsilano
[C-B] [photo de la page couverture], 5/1:14 Harmonie nationale des jeunes du Canada,
1/1:4; 2/2:51; 3/1:2, 42-44; 4/1:10, 40; 4/2:61, 78, 98; 5/1:5-8; 5/2:58, 68,
107 (« L’)Harmonie nationale des
jeunes du Canada, projet-phare de l’ACH : Historique », Jim Forde (tr, Daniel Doyon), 3/2:94-97;
4/2:65 Harmonie [wind octet/octuor à vents], 5/1:24, 26 Harmony, 4/2:70 Harper, Rt. Hon. Stephen, 5/1:3 Harris, Donald, 1/1:1, 6, 46, 47; 1/2:1, 3, 44;
“National Voluntary Curriculum and Standards Project: Objectives and Progress
Report, September 2002,” 1/1:6, 46-47; 1/2:44-46; “National Voluntary
Curriculum and Standards for Instrumental Music (Band),” 2/1:48; 2/2:96;
4/2:98; 5/1:6, 9 Harris, Frederick, Jr.,
1/1:39; Conducting with Feeling,
5/1:15 Harris, Roy, 4/1:36, 37 Harrogate [Music] Festival
[UK], 4/1:6 Harvey, Wilfrid (“Harv”),
5/2:63 Hary, Joe, 4/1:6, 7 Hatch, Peter, c, Windhorse,
4/1:21 Hawkins, Erskine, c, Tuxedo Junction, 5/2:97 Haynes, Roy, 4/1:34 Hazo, Samuel, 4/2:99 Head, Jim, 4/1:43 Healey, Derek, c, One Midsummer’s Morning, 4/1:20 (The) Heart of Summer [CD], Paul Read, 5/2:74 Hébert, Lionel, 4/1:19 Hemingway, Ernest, 4/1:36 Hemiola, 5/1:19 Hemke, Frederick, 4/2:98, 99 Henderson, Ken, “Truro District Schools Band Program,”
5/2:62-65 Hendrix, Jimi, 4/1:33 Herberman, John, c, The Fisher Who Died in His Bed, 3/1:33; Green Shadows in the Woods, 4/2:101 Herbs, c, Phil Nimmons,
5/2:74 Herdman Collegiate [NL],
4/2:59 Hereford [UK], 5/1:10 (The) Heritage of Canadian Military Music, Jack Kopstein & Ian Pearson, 5/2:78 Herrigel, Eugen, Zen in
the Art of Archery, 5/1:16 Herriot, Mike, 4/2:98 Herriot, Robert (Bobby),
4/2:97; 5/2:64 Hersenhoren, Samuel, 4/2:73 Heslip, Gerry M., l, 2/2:52; 4/1:43 “Hey, ho! Nobody Home,”
5/1:45 Hicks, Allan, 4/1:6 “Highland Laddie,” 5/1:34 High Park March, c, Charles
F. Thiele, 5/2:76 High School Select Band
Ensembles [SK], 4/2:99 High Spirits, c, Louis
Applebaum, 4/1:19 Hillegom [Holland], 5/1:12 Hindemith, Paul, Symphony
in B-flat, 4/2:98 Historic Brass Society (HBS), 4/1:4; 2006 conference/festival,
5/1:39-40 (A) History of Western Music, Donald J. Grout & Claude Palisca, 5/2:88 HMCS Tecumseh Band [Calgary,
AB], 5/2:78 Hnatyshn, Rt. Hon. Raymond,
4/2:97 HNJC, voir/see Harmonie nationale des jeunes du Canada Hobson, Earl, 5/1:13 Hochelaga, 5/1:24 “Hockey Night in Canada,”
4/2:77 Hoddinott, Alun, 5/1:42 Hofstra U [Hempstead, NY],
5/2:59 Holland, 5/1:12 Holland, Dave, 4/1:34 Holman, Bill, 4/1:43 Holsinger, David, c, Battle Music, 4/1:44 Holst, Gustav, c, The Planets, 4/1:21; Suites
for Military Band, 4/1:8, 43; 5/1:18-20,
36; 5/2:86; The Elements of Orchestration, How to Read a Score, The
Composer and His Art, 5/2:86 Honegger, Arthur, 4/1:37;
5/2:91 Hope, Bob, 4/2:75 Hopkins, David, 4/2:97 Hopkins, Mark, “Study Guide for Morley Calvert’s Suite
on Canadian Folk Songs,” 5/1:18-21 Horizons, c, Phil Nimmons, 5/2:74 “Horkstow Grange,” c, Percy Grainger, 5/1:36; 5/2:66, 67 Horn bouché & cuivré, 5/2:94 Horse [jazz-rock band, NS],
5/2:64 Horton District HS [Greenwich,
NS], 5/2:66 Houghton, Steve, 4/2:99 House, Lawrence, 4/2:97 Housesknecht, Bruce, arr, Salvation is Created, 5/2:67 House of Commons [Ottawa],
4/2:90; 4/1:6 Hovhaness, Alan, c, Symphony No. 4, 4/2:98 Howard, Mitchell, 5/2:60 “How Can We Support the Overall Growth of Jazz Music
in the Country,” Dean McNeill, 1/2:40-41 How to Read a Score, Gordon Jacob, 5/2:86 Humanism, 5/2:86 Hunsberger, Donald, 5/2:88 Hunt, Clifford O., 1/2:16 Husa, Karel, c, Music for Prague 1968, 4/2:98 Hutcheon, Jock, 4/2:72 IAJE, see/voir International Association of Jazz
Educators Idea File, 1/1:48-47; 1/2:55-56, 48; 2/1:44-47; 3/1:45-47;
3/2:98-99; 4/1:53-55; 4/2:110-111; 5/1:54-55; 5/2:106 IGEB (See/voir International Society for the Investigation
and Promotion of Wind Music) (L’)Île du Prince Édouard, 5/2:58 “I Left My Heart in San
Francisco,” 4/1:43 Il Trovatore [“Anvil Chorus”], c, Giuseppe Verdi, 5/1:39 Imperial Singers [Montreal],
5/1:18 “Improve Large Ensembles with Chamber Music,” Denise
Grant, 1/2:55-56, 48 “Improved Saxophone Intonation Through
Altissimo Exercises,” Jeremy Brown, 2/1:13-16 In Canada: HBC Patrol, c, William
Delaney, 5/2:76 Incantation and Dance, c, John Barnes Chance, 4/2:61 Indiana University
[Bloomington, IN], 4/1:26 (d’)Indy, Vincent, 4/1:36 “Infant Eyes,” 4/1:43 In Memoriam: “Bernie Burke,” David Pos, 1/2:16-17;“Lieutenant
Colonel Clifford O. Hunt, CD,” Jim Forde, 1/2:16; “Frederick Fennel,” Fraser
Linklater et al, 3/2:93; “Vondis
K. Miller,” Timothy Maloney, 2/2:93 (The) Inner Game of Music, Barry Green, 5/1:15 (The) Inner Game of Tennis, W. Timothy Galwey, 4/2:80; 5/1:15 In
Profile, 1/1:31;
1/2:16-17; 2/1:11-12; 2/2:58-59; 3/1:7-8; 3/2:53-56; 4/1:6-7; 4/2:64-66;
5/1:10-13; 5/2:62-65 In Review, 1/1:39-41; 1/2:42-46;
2/1:35; 2/2:86-88; 3/1:36; 4/1:43-45; 4/2:101; 5/2:97 “Inspiring a Passion for Music in Band Students,”
Darrell Chrisp, 4/2:110-111 “Instilling Musicianship,” Denise Grant, 5/2:66-68 Institute of Biomaterials and Biomedical Engineering, U
of Toronto, 5/1:54 Instrument repairs, 1/1:42-43;
instrument selection, 3/1:13-16 Instrumental Directors’
Summer Course [Saskatoon, SK], 4/2:99 (“The) Instrumental Selection Process,” Jonathan
Bayley, 3/1:13-16 “Integrated Arts in the Band Room,” Noelle Wadden, 2/1:44-47 Intensely Vigorous College
Nine [Saskatoon, SK], 4/2:97 International Association of Jazz Educators (IAJE): 1/2:40-41;
5/2:74; IAJE Canada, 4/1:18; IAJE Jazz Education Hall of Fame, SOCAN Phil
Nimmons IAJE Award, 2006 IAJE Conference, 5/2:72 International Clarinet
Association, 5/1:17 International Composers’
Guild, 4/1:36 International HS Band Camp
[MB/ND], 4/1:3 International HS Music Camp
[MB/ND], 4/1:3 International Music Camp (IMC) [MB/ND], 4/1:3-4; 5/1:40;
Tour Band & Choir, Guitar Workshop, Frances Leach Music Library, Cushman
Hall, Fine Arts Centre, Masonic Memorial Auditorium, IODE Percussive Arts
Centre, Burdick Centre for the Performing Arts, Alumni Association, “Kick
Start” concert band & jazz band, 4/1:3 International Peace Garden
[MB/ND], 4/1:3; Lake Stormon, 4/1:3 International Society for the Investigation &
Promotion of Wind Music [Internationale Gesellschaft zur Erforschung und
Förderung der Blasmusik, IGEB], 4/1:4; 5/1:39-40; 2006 conference, 5/1:39-40; Bulletins
[Mitteilungsblätter], 4/1:4; Alta Musica [journal/revue], 4/1:4 International Youth Festival,
4/1:3 Interpretation, 4/2:70 Interviews: Don Buell, 4/2:59-61; Howard Cable, 4/2:72-77;
Donald Coakley, 2/2:60-65; Michael Colgrass, 3/2:57-61; Phil Nimmons, 5/2:71-74 Invocation, c, Phil Nimmons,
5/2:72 Ioannou, Heather, 5/1:8 I Recommend: A Complete Warm-Up Technique Book
Designed to Improve Fundamental Musicianship, James Ployhar, 4/1:15 Irish Guards Band [London, UK],
5/1:41 Irish Music Rights
Organisation, 5/1:42 “Irish Wind-Band Music,”
Robert O’Brien, 5/1:41-43, 55 Irish Youth Wind Ensemble, 5/1:42; Where
the Wind Blows [CD], 5/1:41 Iroquois, 5/1:24 Irvine, Gregory, “Lessons Learned (and Ignored) from
the Past,” 2/1:17-19; “Tuba Survey,” 3/2:86-87; “Tuba Survey Results,”
4/2:93-94 “Isabeau s’y promène,”
5/1:36-37; 5/2:69 “I’se the B’y that Builds the
Boat,” 4/2:101 “Is it Musical?”, Gordon
Foote, 2/1:23-24 Islands, c, Phil
Nimmons, 5/2:74 It’s Up to You, c, Phil
Nimmons, 5/2:74 Jacob, Gordon, c, William Byrd Suite,
5/2:85-88; An Original Suite, Suite
in B-flat, 5/2:86 Jacobs, Arnold, 4/2:93 Jackson, T.E., 5/1:5 Jagow, Shelley, “Rehearsal Structures of College
Wind-Band Conductors,” 2/1:31-34 James, Etta, c, At Last, 5/2:97 Janners, Erik, “Percussion for the Non-Percussionist
Band Director,” 1/2:28-34 Jansson, Leif, 4/2:99 Jarvis, Jeff, 4/2:99 Jason and the Golden
Fleece, c, Elizabeth Raum, 4/2:79 Jaymar Music Ltd. [publisher/éditeur], 4/1:22 Jazz, 1/1:25-28; 1/2:40-41;
2/2:73-75; 3/2:66-68; 4/1:17-18, 31-35; 4/2:80-83, 95-96; 5/2:71-74; Jazz
pedagogy, 4/1:18; Jazz Ensembles, 1/1:25-28; 3/2:66-68; 4/1:31-35; Jazz Canada,
4/1:18; 4/2:95; Jazz Education Journal [journal/revue], 4/2:95 Jean, Rt. Hon. Michaëlle, 5/1:2 “J’entends le Moulin/I Hear
the Mill Wheel,” 5/1:18-21 “Jhon Come Kiss Me Now,” c, William Byrd, 5/2:87 Jill Townsend Big Band
[Vancouver, BC], 4/1:31 “Jingle Bells,” 5/2:76, 77 Johanneson, Grant, 4/1:39 John Oliver HS [Vancouver, BC],
5/1:11 Johnson, Peter, 4/2:97 Johnson, Roy, 5/1:12 “Jolly Miller Time” [CBC/Radio-Canada],
4/2:73 Jones, Jo, 4/1:31 Jones, Thad, 4/1:43 Jordan, James, The
Musician’s Soul, 5/1:14 Journaling [student], 5/2:87 Journal of Historical Research in Music Education [journal/revue], 5/1:32 Journal of Occupational and Environmental Hygiene [journal/ revue], 5/1:54 Journey to the New World, c, Douglas
Court, 4/2:101 (The) Joy of Music, Leonard Bernstein, 5/1:15 Joyce, James, 4/1:36 Juno award, 5/2:71 Just One More Time, Sharon Fitzsimmons, 4/1:12; 5/1:9 Jutras, André, 5/1:36-38; 5/2:69-70; c, A Barrie North Celebration, C’est Noël/It’s Christmas, Daydreams,
Inversia, Latin Sun, Moventa,
They Came Sailing: Suite Jacques Cartier, 5/2:70; Three Folk Miniatures, 4/2:101 Kaapelslaaen, Kari & Paul,
5/1:17 Kafr for Flute, Saxophone
and Band, c, Christian Lauba, 4/2:98 Kagel, Mauricio, 5/2:92 Kaldor, Connie, 4/2:91 Kallmann, Helmut, 5/1:27;
5/2:78 Kaplan, David, 4/2:97 Karapita, Colette, 4/1:7 Karate Kid [film], 4/1:9 Kash, Eugene, 4/2:72 Kassner, Kirk, 5/1:44, 45 Kaye, Danny, 4/2:75 Kelly, Thomas, c, Wexford Rhapsody, 5/1:41 Kelly, Wynton, 4/1:34 Kendall, W. M. c, Glorious Victory, 5/2:97 Kennedy Center for the
Performing Arts [Washington, DC], 4/1:3 Kennedy, John F. [President/président],
5/2:80 Kennell, Richard, 4/2:60 Kerby, E. C. [Publisher/éditeur], 4/1:22 Keys (minor & major),
4/1:18 Kilburn, Weldon, 4/2:72 Kincaid, William, 5/1:31 Kinder, Keith, 2/1:2; 5/1:20, 21; [with D. Grant &
J. Reynolds], “Canadian Wind-Band Repertoire,” 3/1:31-35; 4/1:4; [with Alois
Brandenberg] “The 2006 IGEB/HBS Conference,” 5/1:39-40; “Healey Willan: A
‘Canadianized’ British Composer, 5/1:39 King, Gerald, 1/1:1; 1/2:1; 2/1:1; 2/2:49; 3/1:1; 3/2:49;
4/1:1; 4/2:57; 5/1:1; 5/2:57; “Toward Transparency: Let the Music Speak,” 1/1:21-24;
4/2:99 (The) King’s Own Calgary Regiment Band [AB], 5/2:78 Kirchhoff, Craig, 4/1:10; 4/2:99; 5/1:15, 16; 5/2:68; “Selecting
Repertoire: A Matter of Conscience – A Personal Viewpoint,” 3/1:45-47 Kitchener [ON], 4/2:73; K-Waterloo
SO, 4/1:20 Kitsilano [BC], 5/1:10; HS, 5/1:10; Showboat, 5/1:12;
Beach, 5/1:12 “(The) Kitsilano Boys Band,” Gordon Laird, 5/1:1 [cover
photo credit], 10-13 Kiwanis Music Festival of
Greater Toronto, 5/2:90 Konigen Emma [ship/navire], 5/1:12 Konitz, Lee, 4/1:34 “Kookaburra sits in an old
gum tree,” 5/1:45 Kopstein, Jack, 5/2:78 Koussevitsky Music Foundation,
4/1:38 Koven Tom, 4/1:5 Krueger, Robert, 4/2:74 Kulesha, Gary, c, Two Pieces for Band, 3/1:31 Kunits, Luigi von, 4/1:36 Kunov, Hans, 5/1:54 Kutz, Barnie, 4/2:97 Kuzmich, Natalie, Musical Growth: A Process of
Involvement, 4/1:22 Labuta, Joseph A., Teaching Musicianship in the High
Sschool Band, 5/2:106 Laflèche Cave [Val-des-Monts, QC], 4/2:90 Laforest, Josée, 4/2:66 Laforest, Stéphane, 4/2:65 Laird, Gordon, 5/1:13; “The Kitsilano Boys Band,”
5/1:10-13 Lakeshore Concert Band [Montreal,
QC], 5/1:18 Lake Stormon, International
Peace Garden [MB/ND], 4/1:3 Lake Wobegon Brass Band [MN],
5/1:39 Lambton Concert Band
[Petrolia, ON], 4/2:74 Lamoureux, Napoléon, 4/2:64, 65 Lamphear, Dale, 4/1:6 Lancen, Serge, 4/1:20 Land of the Silver Birch, c, Donald
Coakley, 4/2:101 Land’s End Chamber Ensemble [Calgary,
AB], 5/1:21 Langenburg [SK], 4/1:6 Larchet, John, 5/1:41 “(The) Last Post,” 5/1:33 Latham, Geoffrey, 1/1:43 Lauba, Christian, c, Kafr for Flute, Saxophone, and Band, 4/2:98 Lauder, Harry, 5/1:10 Laughton, Stuart, 4/2:77 Laughton, Wallace, 4/1:41 Laura Secord Elementary
School [Vancouver, BC], 5/1:11 Laurier, Sir Wilfred, 4/1:6 Laval U [Quebec City, QC],
4/2:90; 5/2:69 Law, Alvin, 4/1:7 Learning Through the Arts
[RCMT], 5/1:8 Lee, Jason, 5/1:54 Lee, Peggy, 4/2:75 Leeds Music/MCA
[publisher/éditeur], 4/276 LeFlem, Paul, 4/1:36 (The) Legend of Heimdall, c, Elizabeth
Raum, 4/2:79 Lehman, J. Norman, 5/1:5 Leinsdorf, Erich, The Composer’s Advocate: A
Radical Orthodoxy for Musicians,
4/1:13 LeRoux, Maurice, The Red Balloon [film; music/musique], 4/1:10 “Les Raftsmen,” 5/1:36-38;
5/2:69 “Lessons Learned (and Ignored!) from the Past,”
Gregory Irvine, 2/1:17-19 Lethbridge Community Band Society [AB], 4/2:74, 77;
Gold Band, 4/2:76, 77 Letters
to the Editor/Lettres des lecteurs: Carl
Ahrke, 2/1:5-6; Dennis Beck, 1/2:4; Richard Bennett, 1/2:4; Donald Coakley, 2/1:5; Ardith
Haley, 1/2:4; G. M. Heslip, 2/2:52; Stacey Mortenson, 1/2:4; Michael
Purves-Smith, 1/2:4; Library and Archives Canada [Ottawa], Music Section,
4/1:39; 5/1:96 Liese, c, Phil Nimmons,
5/2:74 Liessens, Auguste, 4/2:64, 65 Ligeti, Gyorgy, 5/2:92 Ligue canadienne des compositeurs,
4/1:19 Lijnschooten, Henk van, 4/1:3 ‘Likeability Factor’” (“Motivation and the), Colleen
Richardson, 5/1:44-45 Like Mother, Like Daughter [film; music by/musique d’Elizabeth Raum], 4/2:78 Lincoln [UK], 5/2:85 Lincoln Center [NY], 4/2:74 Lincolnshire Posy, c, Percy
Grainger, 4/2:98; 5/2:66 Lindemann, Jens, 4/2:98, 99 Linklater, Fraser, 2/2:49; 3/1:1 3/2:49;
4/1:1; 4/2:57; 5/1:1, 8; 5/2:57, 70; Podium
Notes/Notes du podium [with
T. Maloney & D. Doyon], 2/2:50; “A Clinic on Jack Sirulnikoff’s Variations
on a Rollicking Tune,” 2/2:82-85; “76
Trombones? Developing Balanced Instrumentation,” 3/1:9-12; [with J. Paulson, L.
Simonson & M. Christianson], “Frederick Fennell, 1914-2004,” 3/2:93;
“Rehearsing vs. Teaching,
4/1:15-16; 4/2:101; “Canadian Wind-Band Repertoire (3),” 5/1:33-38 Linsley, Kerry, “Yorkton and
District Band Programme,” 4/1:6-7 Linsley, Tim, 2/1:1; 2/2:49, 50; 3/1:1;
3/2:49; 4/1:1, 6; 4/2:57; 111; 5/1:1; 5/2:57, President’s
Message/Message du président, 5/2:58 Linsley, Troy, 4/2:99 Lisk, Edward S., 4/2:99; The Creative Director: Alternative Rehearsal Techniques, 5/2:86 Liszt, Franz, 4/1:36 Live at the Royal Festival
Hall [CD], 4/1:34 Liverpool [UK], 5/1:10 Lloydminster Comprehensive HS
[SK], 5/2:70 London Central Catholic HS
Band [ON], 5/2:62 London [UK], 5/1:12; 5/2:75; In
Town Tonight, 5/1:11 Lonis, Dale, 1/1:1; 1/21; 2/1:1; 2/2:49; 3/1:1; 3/2:49;
4/1:1; 5/2:86 Lorenzino, Lisa, r, “Kenny Werner’s Effortless Mastery,” 2/1:42-43; “Encouraging Female Participation in
Instrumental Jazz,” 2/2:73-75 Los Angeles Philharmonic Orch.
[CA], 4/1:11 Lothian Winds [UK], 4/1:20 Louis XV [King/roi], 5/1:24 Louisville Orchestra [MO],
4/1:38 Lulloff, Joseph, 4/2:98, 99 Luckhardt, Jerry, 4/1:10 Lundi en musique, 3/2:50; 52;
4/2:58, 62; 5/1:8; 5/2:60 Lunds Valley [ND], 5/1:17 Lurie, Mitchell, 4/1:44 Luxembourg Conservatory
[Luxembourg], 4/1:26 Lyell Gustin Bequest, 4/2:99 Lyric Essay, c, Donald
Coakley, 4/2:101 Ma, Yo-Yo, 1/2:36, 38 Macaenas Music [publisher/éditeur],
5/1:43 MacDonald, Ewen, 5/1:54 MacFarlane, Alex, 4/2:97 MacKay, Gillian, 5/1:1, 33; 5/2:57; “Achieving the
Best of Both Worlds: Developing Practice Skills in Rehearsal,” 2/1:20-22;
“Avoiding the ‘Hand:’ Developing Fine Trumpet Tone,” 3/1:21-23; r, North Winds: Canadian Wind Band Music [CD], 4/2:101 MacKay, Ron (CPO), c, Jim, 3/1:31; photo, 5/2
cover, caption/ étiquette, 5/2:57, 62-65 MacLaughlan, Arnold, c, A French-Canadian Suite, 4/2:101; 5/2:70 MacMillan, Scott, Repair Bench, 1/1:42-43; 1/2:47-48;
2/1:36 MacMillan, Sir Ernest,
4/2:72, 73 MacQuarrie, Charlotte, 5/2:62 Maestro: Encounters with Conductors of Today, Helena Matheopoulos, 4/1:10 Main, Jay, 4/2:59 Maitland [NS], 5/2:64 Majestic Stride, c, Charles
F. Thiele, 5/2:76 Major scales, 4/1:17; triads,
4/1:17; seventh chords, 4/1:17 “Making Music in 3D,” U of Saskatchewan
Wind Orchestra & U of North Texas Symphonic Band concert/clinic, Texas
Music Educators Association conference, 4/2:99 “Malinke’s Dance,” 4/1:43 Malko, Nikolai, 4/1:9, 10 Mallabone, Guy, 5/1:6 Malone, Mike, 5/2:73 Maloney, Timothy, 1/1:1; 1/2:1, 3; 2/1:1, 2; 2/2:49;
3/1:1; 3/2:49; 4/1:1; 4/2:57; 5/1:1, 6; 5/2:57, 58, 78; Podium Notes/Notes du podium [with D.Grant], 1/1:2; 1/2:2-3;
2/1:2-3; [with D. Doyon & F. Linklater] 2/2:50; “20th Century
Canadian Concert Music for Bands and Wind Ensembles: An Introduction,” 1/1:32-37;
“A Tutorial on Single Reeds,” 1/2:18-23; “Oskar Morawetz’s Memorial to
Martin Luther King for Solo Cello,
Winds, Percussion, and Piano,” 1/2:35-39; “Water Music” by Harry Somers: His Symphony
for Woodwinds, Brass, and Percussion,”
2/1:25-30; “The Hannaford Street Silver Band’s 20th Anniversary,”
2/2:58-59; “An Interview with Donald Coakley,” 2/2:60-65; “In Memoriam; Vondis
K. Miller, 1935-2003,” 2/2:93; “Colin McPhee’s Concerto for Piano and Winds,”
4/1:36-39; r, Michèle Gingras, Clarinet
Secrets: 52 Performance Strategies for the Advanced Clarinetist, 4/1:44-45; tr., The Calixa Lavallée Band of Sorel, Quebec: 90 Years of History,”
4/2:64-66; “Two Early Canadian Marches,” 5/1:24-27; “Parody and Pastiche: The
Wind Music of Lothar Klein,” 5/1:39; “Pierre Mercure’s Pantomime for Winds and Percussion/Pantomime pour vents et percussions de Pierre Mercure (tr, Jade
Piché),” 5/2:91-96 Manhattan Ballroom [SK],
4/2:98 Manitoba Band Association (MBA), 1/2:12; 4/2:111;
5/1:17; 5/2:107; MB Beginning Band Festival, MB Junior Solo & Ensemble Festival,
MB Provincial Junior Honour Band, 4/2:111 Manitoba Music Conference, 5/2:58 Mannheim “rocket,” 5/1:26 Mann, Keith, 1/2:2; 1/2:3;
5/1:5, 6 Man of La Mancha, 4/2:75 Mantie, Roger, 4/2:99 “(The) Maple Leaf Forever,”
5/2:76, 77 Maples Collegiate [Winnipeg,
MB], 4/1:35 March (form/forme), 4/1:18; c, [untitled] March, Charles F. Thiele, 5/2:76 Marche Bizarre, c, Gerard
Victory, 5/1:42 March[e] de Normandie, c, Charles Voyer de
Poligny d’Argenson, 5/1:24-27 “Marches (Two Early Canadian),” Timothy Maloney,
5/1:24-27 “Marianne s’en va-t-au Moulin/Marianne
Goes to the Mill,” 5/1:18-21 Marimba, 4/1:21 Maritime Band Masters Association, 5/2:62; Maritime
Bandnotes, 5/2:62; Maritime jigs,
5/2:73 Markham District HS [ON],
4/1:53 Marlatt, David, 5/1:21; c, Crimond,
4/2:101; Reesor Park: An Overture for Band, 4/1:21 Marquis Classics [records/disques], 4/2:77 Marquis de Montcalm, 5/1:24 Marquis of Lorne, 5/1:33 Marsalis, Wynton, Marsalis on Music [video], 4/1:31 Marshall, Edward, 4/1:44 Martin, Philip, r, Rain Dance,
5/1:42 Mary’s Poppin’ - Mary Poppins in Jazz [LP/33 tours], 5/2:74 Mastersound Records
[records/disques], 4/1:26 Masters Tournament [golf], 5/290 Matheopoulos, Helena, Maestro: Encounters with
Conductors of Today, 4/1:10 (The) Mayden’s Song, c, William
Byrd, 5/2:88 Mayo Rhapsody, c, Gerard
Victory, 5/1:42 Mazzoleni, Ettore, 4/2:72 MCA (Music Corporation of
America) [publisher/éditeur], 4/2:73 McAllister, Jennifer, 5/1:1, 21; 5/2:57; r, Traditions [CD], 4/1:43; “Study Guide on Elizabeth Raum’s 100 Years of Fanfares,” 4/2:78-79; r, The Voice of the Guns
[CD], 5/2:97 McCallum, Wendy, “Repertoire
as Curriculum,” 5/2:105-106 McAree, Clifford, 4/2:72 McClennan, Michael, 5/2:71 McClintock, Ellis, 4/2:73 McConnell, Rob, 4/1:31 (The) McDades – for
Reel [CD], 5/2:70 McDater, Mark, Military
Music of the War of 1812, 5/1:27 McDonough, Graham, r, A Creative Project: A Resource Companion to the
National Curriculum and Administration Standard for Instrumental Music by D. Harris, 1/2:44-46; r, National Voluntary Curriculum and Standards for
Instrumental Music (Band), 3d
edition, 2/2:86-88 McFarland HS [McFarland, WI],
4/2:60 McGill U [Montreal, QC]: 5/1:30; Jazz Orchestra, 4/1:18,
43; 4/2:66; Concert Band, 5/1:18 McIntyre, David, 4/1:7; & Elizabeth Raum, Bushwakker Six
Pack/Hybrids [CD], 4/2:79 McIntyre Ranch Country, c, Howard
Cable, 4/2:74 McIntyre Ranch Country [CD], 4/2:76, 77 McKay, James, 4/1:19 McLary, Blaine, 4/1:6, 7 McLaughlan, John, 4/1:34 McMaster U [Hamilton, ON], 5/1:39, 40; Chamber
Orchestra, Concert Band, 5/1:40 McMillan Bloedel, 5/1:11 McMurdo, Dave, 4/1:31; Dave
McMurdo Jazz Orchestra, 5/2:72 McNeill, Dean, 1/1:40; “How Can We Support
the Overall Growth of Jazz in Our Country?” 2/1:40-41; “Why Record a CD with
your Band? What Really is the Point?” 3/2:84-85; r, Ostinatocious, 4/1:43; 4/2:98 McPhee, Colin, Music in Bali, 4/1:38; c,
Concerto for Piano with Wind Octette Accompaniment, 4/1:36-39; Tabuh-Tabuhan, Concerto for Wind Orchestra, 4/1:38 Meditation, 5/1:14, 15 Meet the
Composer,
2/2:60-65; 3/2:57-61; 4/2:72-77; 5/2:71-74 Melfort [SK], 4/1:7 Mellor, John, 5/2:78 Melodic minor scales, 4/1:17 Melody, 4/2:70 Memorial Day, 4/2:74 Memorial to Martin Luther King for Solo Cello, Winds, Percussion, and Piano, c, Oskar Morawetz, 1/2:35-39 Memorial U of Newfoundland [St.John’s, NL],
School of Music, 4/2:59-61; MUN Concert Band, MUN President’s Award for Distinguished
Teaching, 4/2:61 MENC (See/Voir Music
Educators National Conference) Mental concentration, 4/1:45 Mentoring, 1/1:16-20 Menuhin, Yehudi, 5/2 :72 Mercure, Pierre, c, Pantomime, 3/1:33; 4/1:36;
5/2:91-96; Structures métalliques II, Kaléidoscope, 5/2:92 ; RCI Anthology
of Canadian Music/Anthologie de la musique canadienne, Vol. 35, 5/2:95 Mérimée, Prosper, The
Passion of Carmen, 5/2:81 “Merrily We Roll Along,” 5/2:76 Message
du président, 1/1:3; 1/2:3; 2/1:4; 2/2:51; 3/1:2; 3/2:50; 4/1:2; 4/2:58; 5/1:4; 5/2:58 Metheney, Pat, 4/1:34 MGM Grand Hotel [Las Vegas,
NV], 4/1:6 Miami University [Miami, OH],
4/1:26; Wind Quintet, 4/1:26 Michaelmas, 5/1:19 Middleton [NS], 5/2:62, 63;
Regional HS, 5/2:65 Midwest Band & Orchestra
Clinic [Chicago], 4/1:42; 5/1:6; 5/2:59 Mike Griner All Stars [SK],
4/2:97 Milhaud, Darius, 4/1:37; 5/2:91, 94 Military bands [La Musique militaire], 2/2:76-79; 3/1:26-30 Military Music of the War
of 1812, Mark McDater, 5/1:27 Miller, Clarence H. (“Big”)
4/2:98 Miller, Glenn, 4/2:75 Miller, Vondis K., 2/2:93 Millerd, William, 5/1:13 Millington, Doug, 4/2:98 Mills, Alan, Folksongs of
French Canada [LP/33 tours], 5/2:70 Milne, Dale, 4/1:6 Milton College [WI], 4/2:59 The Mind’s Ear: Exercises for Improving the Musical
Imagination for Performers, Listeners, and Composers, Bruce Adolphe, 4/2:68; 5/1:15 Minimalism, 4/1:21 Minor scales, 4/1:17; 5/2:70;
triads, 4/1:17; seventh chords, 4/1:17 Minot State U [Minot, ND],
5/1:17 Mintzer, Bob, c, 12 Contemporary Jazz Etudes, 4/2:81 Minuet, 5/2:67 Mipham, Sakyonmg, Turning
the Mind into an Ally, 5/1:14 Mitchell, James, 4/2:97 Mochnacz, Shawna, “The Royal Canadian Artillery Band,”
3/1:7-8 Modal scales, 4/1:17 Modeling [demonstration],
4/2:60 (The) Modern Conductor, Elizabeth Green, 4/2:68 Molloy, George, 4/2:97 Monteregian Music Camp [Ayer’s
Cliff, QC], 5/1:18 Montreal: Citadel Band [Salvation Army],
5/1:18; Mtl. City Band/Bande de la Cité, 5/1:24; Conservatoire, 5/2:69, 91;
Protestant School Board of Greater Mtl., 5/2:70; Mtl. Olympics, 5/2:72; MSO,
5/2:91-93; Moose Jaw [SK]: 4/1:7;
5/1:10; Kinsmen Band Festival, 4/1:6 Morawetz, Oskar, c, Memorial to Martin Luther King for Solo Cello, Winds, Percussion, and Piano, 1/2:35-39 Morel, François, 4/1:36 Morris dance, 5/2 :67 Mortenson, Stacey, l, 1/2: 4 Mosaic of Canadian Airs/Mosaïque d’airs canadiens, c, Joseph
Vézina, 5/1:24 Mossing, D’Arcy, 4/1:6 “Motidispiration: Motivation, Discipline, and
Inspiration in Band and Orchestra Rehearsals,” Peter L. Boonshaft, 5/2:59 “Motivation and the ‘Likeability Factor,’”
Colleen Richardson, 5/1:44-45 Moto perpetuo, 4/1:38 Motor rhythms, 5/2:94 Mount St. Vincent U [Halifax,
NS], 4/2:78; 5/2:81 Mullins, Norman, Q.C., 5/1:11 Muncie [IN], 4/1:3 Murchison Performing Arts Center, Winspear Hall, University
of North Texas [Denton, TX], 4/2:99 Muse the Blues, c, Phil
Nimmons, 5/2:74 Museum of Civilization [Gatineau,
QC], 4/2:90 Music Ace® [software/logiciel],
4/2:110 Musicality, 2/1:23-24 “Music by Cable” [CBC/Radio-Canada],
4/2:73 Music councils
[student/d’étudiants], 4/1:53-55 Music Division, National Library of Canada [Ottawa],
2/1:1 [cover photo credit] Music Educators National Conference (MENC), 5/1:54;
MENC convention, Minneapolis 1978,
4/2:98 MusicFest Canada, 4/1:6, 22; 5/1:6, 45; 5/2:64, 90 “Music Festival Preparation: Musical Rewards Should
Triumph,” Jeremy S. Brown, 1/1:29-30 Music festivals, 1/1:29-30;
3/2:78-79, 83 “(The) Music of John Slatter and Charles F. Thiele,”
Charles E. Charles, 5/2:75-78 Music for Prague 1968, c, Karel
Husa, 4/2:98 (The) Musician’s Soul, James Jordan, 5/1:14 MusicMasters Classics [recordings/disques], 4/1:39 (Le) Musicien québécois [revue/journal], 4/1:26 Music in the Park: C. F. Thiele, Father of Canadian
Band Music, John Mellor, 5/2:78 Music Matters: A New Philosophy of
Music Education, David Elliott, 4/1:15,
16 Music Monday, 3/2:50, 52; 4/2:58, 62; 5/1:8; 5/2:60 Music Section, Library and
Archives Canada [Ottawa], 4/1:39 Music theory, 4/1:18, 41-42 (The)
Musical Experience of Composer, Performer, Listener, Roger Sessions, 4/1:11 Musical Growth: A Process of
Involvement, Natalie Kuzmich, 4/1:22 (“The) Musical
Percussionist,” Darrell J. Beuckert, 4/1:86-89 Musicians Union Performance
Trust Fund, 4/2:96 (« La) Musique militaire à
travers les siècles », Armand Ferland, 1ère partie, 2/2:76-79; 2e
partie, 3/1:26-30 Mutes [brass], 5/1:34 Mutual Broadcasting Network [USA], 4/2:73 National Airs and Regimental Marches, arr, John
Slatter, 5/2:75 National Arts Centre (NAC) [Ottawa],
4/1:19; 4/2:58; 5/1:4, 8 National Association of Music Merchants [NAMM], 4/2:63 National Concert Band
Festival, 5/1:6 National Concert Band of
Canada, 5/1:21 National Concert Hall [Dublin,
Ireland], 5/1:42 National Film Board of Canada, 4/1:19 National Institute of Arts
& Letters Award, 4/1:38 National Library of Canada [Ottawa], Music
Division, 2/1:1 [cover photo credit]; 5/1:27 National Music Camp Jazz Program [Orillia,
ON], 5/2:74 National Survey of Music
Education in Canada, 4/2:62 National Voluntary Curriculum and Standards for
Instrumental Music (Band), 1/1:6; 1/2:44-46, 48; 2/1:48; 2/2:51, 96; 4/1:2;
4/2:111; 5/1:6; 5/2:70, 97 National Youth Band of Canada, 1/1:4; 2/2:51; 3/1:2,
42-44; 4/1:10, 40; 4/2:61, 78, 98; 5/1:5-8; 5/2:58, 68, 107 Natress, Loralee, 4/2:98 Natural minor scales, 4/1:17 Neelin, John, 4/2:98 Nelson, Dwaine, 4/2:97; DN Scholarship Fund, 4/2:98; DN
Master Teacher Award, 4/2:98 Neoclassicism, 5/2:86, 94 Netherlands Wind Ensemble [Holland/Hollande],
5/1:42 Neuropsychology [journal/revue], 4/2:62 Newark [Niagara-on-the-Lake,
ON], 5/1:24 New Band Materials Clinic [SK],
4/2:99 New Canadian Patriotic Band Book, arr, John
Slatter, 5/2:75 New England Conservatory
[Boston, MA], 5/1:21; 5/2:67 New France, 5/1:23 Newfoundland/Labrador, 5/2:60 Newfoundland Folk Song, c, James
Duff, 4/2:101 (A) Newfoundland Rhapsody, c, Howard
Cable, 4/1:20; 4/2:61, 73, 74; 5/2:70 New Glasgow [NS], 5/2:62 (The)
New Grove Dictionary of Music and Musicians, 4/1:36; 4/2:78; 5/2:81; NGD
of Opera, 4/2:78; 5/2:81; NGD of Women Composers, 4/2:78; 5/2:81 New Music Concerts [Toronto,
ON], 5/2:90 New Music Quarterly of Modern Compositions [journal/revue], 4/1:37 New SO of Toronto, 4/1:36 Newton, Paul, 4/2:98 New York Herald-Tribune, 4/1:39 New York: NY Philharmonic Brass, 4/2:74; NY City
Ballet Orchestra, 5/1:32; Niemisto, Paul, 4/1:4; 5/1:39 Night Crawler, c, Phil
Nimmons, 5/2:74 Nightfall in Camp, c, Tom
Wade West, 3/1:31; 4/2:101; 5/1:33 Nightingale [trio, VT],
5/1:21 Nikiforoff, Eric, 4/1:7 Nimmons, Phil, 4/2:98; i, 5/2:71-74; Nimmons ‘n’ Nine, 5/2:71; Nimmons ‘n’
Nine Plus Six, 5/2:71, 72; Compositions: Deep Pool, In This World We Live, Ebab, Nufsicisum, 5/2:71, 74; Conversations, Transformations, Invocation, 5/2:72; Atlantic
Suite (“Harbours,” “Islands,”
“Tides,” “Horizons”), Suite PEI, St.
Pierre et Miquelon, 5/2:73-74; Riverscape:
St. John Portrait, 5/2:73; Skyscape:
Sleeping Beauty & the Lions,
5/2:74; Arf, Birdburger, Blues for Someone, Bubble Trouble, Carey Dance, Do I
Know You?, The Dorian Way, Ed’s Comp,
EEE-Suave, Friends Departed, Herbs, It’s
Up to You, Liese, Muse the Blues, Night Crawler, Ros, Sands of Time, Sarah, Think Nice
Thoughts, Three and Four, Threeful, The Torch, UTS,
5/2:74; Discography, 5/2:74; List of compositions for concert band, 5/2:74; List
of compositions for jazz ensemble, 5/2:74; Recordings: Nimmons ‘N’ Nine [LP/33 tours], Nimmons ‘N’ Nine – The Phil Nimmons Orchestra [LP/33 tours], Nimmons Now [LP/33 tours], The Atlantic Suite [LP/33 tours], Transformations/Invocation [LP/33 tours], The Atlantic Suite/Suite
PEI/Tributes [LP/33 tours, CD], Sands of Time [CD], Vintage Nimmons ‘N’ Nine Air Checks ’59-’64 [CD], Phil Nimmons & the Dave McMurdo Jazz
Orchestra: Canadian Composers Portraits
[CD], Beginnings: Nimmons ‘N’ Braid
[CD], 5/2:74; SOCAN Phil Nimmons IAJE Award, 5/2:72 Niosi, Bert, 4/2:73 Nolan, Julia, 4/1:39 Nono, Luigi, 5/2:92 Non-pitched sounds, 4/1:21 NORAD Command Band, 4/2:74 North American Band Directors
Association, 4/1:7 North American Saxophone Alliance Conference, Region
IX, 4/2:99 North Carolina 26th
Brigade Band, 5/1:39-40 North Central Teachers
Convention, 4/2:98 Northdale Music Press Ltd. [publisher/éditeur], 4/1:19, 22; 4/2:73, 76, 77 Northern Delights [CD], 4/2:76, 77 Northfield [MN]: Vintage Band Music Festival, 4/1:4; 5/1:39-40 North Saskatchewan Wind
Symphony summer project, 4/2:99 North Vancouver Community
Band [BC], 4/1:5 Northwestern U [Evanston, IL],
5/1:40 North Winds: Canadian Wind Band Music [CD], 4/2:101; 5/1:33; 5/2:70 Norwegian National Band
Championships, 5/1:42 No Surrender,
c, John Slatter, 5/2:75 Notepad® [software/logiciel],
4/1:41 Notes du
podium, 1/1:2;
1/2: 2-3; 2/1:2-3; 2/2:50 Notices
nécrologiques: Burke, Bernie, 1/2:16-17; Fennell, Frederick, 3/2:93; Hunt,
Clifford 1/2:16; Miller, Vondis, 2/2:93 Nouvelle Écosse, 5/2:58 Nouvelles de l’ACH, 1/2:6;
2/1:48; 2/2:95; 3/1:42-44; 3/2:94-97; 4/1:51-52; 4/2:111; 5/2:107 Nova Scotia: NS Band Association (NSBA), 5/1:65; NSBA
Honours Jazz Band, 5/2:64; NS Teachers College, NS Music Specialist program,
5/2:62, 64; NS Department of Education, 5/2:62, 66, 88; NS Agricultural
College, NS Jr Wind Ensemble, 5/2:64; 5/2:88; Scotia Brass, 5/2:88 NS Musico Publishing [North
Vancouver, BC], 4/1:5 Nufsicisum, c, Phil Nimmons,
5/2:71, 74; NUMUS [New Music Concerts, Toronto],
4/1:21 Nussbaum, Jeffrey, 5/1:39 (“The) Nuts and Bolts of
Score Study,” Denise Grant, 4/2:68-71 NYBC, see/voir National Youth Band of Canada OBA, see/voir Ontario Band
Association Obbligato, 5/1:19, 20, 33 Oberwölz [Austria], 4/1:4 Obituaries: Burke, Bernie, 1/2:16-17; Fennell,
Frederick, 3/2:93; Hunt, Clifford O., 1/2:16; Miller, Vondis K., 2/2:93 “Oboe Basics (Part I),”
Elizabeth Raum, 5/2:79-81 Oboe: reeds, 5/2:79-80; embouchure, sound production,
selecting students, 5/2:79; mechanism, 5/2:80 O’Brien, Robert, “Irish Wind-Band
Music,” 5/1:41-43, 55 O’Callaghan, Col. Fred,
5/1:41 “O Canada,” 5/2:76, 77 October, c, Eric
Whitacre, 4/1:44 OcTUBAfest, 4/2:94 Odeon Theatre [Toronto],
4/2:73 Office national du film du Canada, 4/1:19 Of Note, 1/1:6; 1/2:10-12;
2/1:8, 10; 2/2:53-55; 3/1:3-5; 3/2:51;
4/1:4; 4/2:59-61; 5/1:5-7; 5/2:59 OISE, see/voir Ontario Institute
for Studies in Education Oja, Carol, Colin McPhee:
Composer in Two Worlds, 4/1:39 O’Kane, Brian, 4/2:98 Olson, Gerald, 4/2:59 Omega Ω: Epilog, c, Monte
Keene Pishney-Floyd, 4/2:98 “On a Clear Day,” 4/1:43 One Hundred Years of
Fanfares, c, Elizabeth Raum, 4/2:78-79 One Midsummer’s Morning, c, Derek
Healey, 4/1:20 On-Line Theory Project, 4/1:2, 41-42;
5/2:58 Ontario Amateur Bands Association
(OABA), 5/1:5; 5/2:76 Ontario Band Association (OBA), 3/1:2; 4/1:55; 5/1:6; OBA
Concert Band Festival, 4/1:55; ON Prov. Honour Band, 5/2:67 Ontario Education Leadership
Centre, 4/1:55 Ontario Institute for Studies in Education (OISE), U of
Toronto, 5/1:8 Ontario Music Educators’
Association (OMEA), 4/1:55 Ontario Pictures, c, Howard
Cable, 4/2:74 Ontario Suite, c, Gordon
Delamont, 4/2:97 Open Ears [new music
festival, ON], 4/1:21 Opening Day Recordings [recordings/disques],
4/2:77 Opus in Swing [CD], 4/1:31 Orangeville Band (1878) [ON],
1/1:1 [cover photo credit/attribution de la photo de la page couverture] Orchestration, 4/2:70 Orchestration, Cecil Forsyth, 4/2:72, 77 Orchestre symphonique de Trois-Rivières [QC], 4/2:66 “Order in the Band Room,” Ian
Cochrane, 3/2:98-99 Order of the British Empire,
5/2:75 Order of Canada/Ordre du Canada, 4/1:20; 4/2:65;
5/1:12, 34; 5/2:71 Order of Ontario, 5/2:71 O’Riada, Seán, c, Ceól Mearsáile i gCóir Socraide, 5/1:41, 42 Orquesta Sinfónica de México, 4/1:38 “Oskar Morawetz’s Memorial to Martin Luther King
for Solo Cello, Winds, Percussion, and Piano,” Timothy Maloney, 1/2:35-39 Oslo Music Academy, Norway, 4/1:26 Osterberg, Larry, 4/2:59 Ostinato, 4/1:21, 38; 5/1:19,
34; 5/2:94 Ostinatocious [CD], 4/1:43 O’Toole, Patricia, Shaping Sound Musicians: An
Innovative Approach to Teaching Comprehensive Musicianship Through Performance, 5/2:88, 106 Ottawa Valley, 5/2:69 Otter Tail County Community
Band [MN], 5/1:17 Outdoor Overture, c, Aaron
Copland, 4/1:44 (An) Outline History of Music, Milo Wold & Edmund Cykler, 5/2:88 Over the Border, c, Charles
F. Thiele, 5/2:76 Overs, Kieran, 5/2:74 Ozawa, Seiji, 4/1:8 Pacific Opera Orchestra [Vancouver,
BC], 5/2:90 Pacific Winds [BC], 4/2:74 Page, Walter, 4/1:31 Pahud, Emmanuel, 5/1:32 Palisca, Claude, 5/2:88 Palmer, Parker, 1/1:41 Panama Canal, 5/1:12 Pan American Association of
Composers, 4/1:36 Pantomime, c, Pierre Mercure, 3/1:33; 4/1:36; 5/2:91-96 Pantomime, c, Philip Sparke, 4/1:44 Parc de Berthierville [QC], 4/2:64 Parkdale Collegiate [Toronto, ON], 4/2:72 Parker, David, 4/2:77 Parkland Band & Choir Festival
[SK], 4/2:97; 4/1:7 Paris [France]: 5/1:12; Exposition,
4/1:38 Pasadena [CA]: Tournament of Roses
Marching Competition and Parade, 4/2:92; 4/1:6 Passacaglia and Toccata, c, Louis Applebaum, 4/1:19 Passion des Cuivres [brass ensemble/ensemble à cuivres], 5/1:39 (The) Passion of Carmen [ballet, c,
Elizabeth Raum], 4/2:78 Pathways, Joseph Alsobrook, 1/2:42 Patrol [genre], 5/2:75 Patterns for Jazz, Jerry Coker, 4/1:17 Pattison, James A. (“Jimmy”),
5/1:11, 13 Pauk, Alex, 4/1:38 Paulson, Jane et al , “Frederick Fennell, 1914-2004,” 3/2:93; “Band Rules
from the Early 1900s,” 5/1:17; Henry, Peter, 5/1:17 Pavana, c, William
Byrd, 5/2:88 Pavana Antiqua, c, Jeff
Smallman, 4/2:101 Pavane for a Dead Princess, c, Maurice
Ravel, 4/2:59 Peabody Conservatory [Baltimore, MD], 4/1:36;
Orchestra, 4/1:36 Pearen, Larry, “Trip Planning: An Educational
Approach,” 4/2:90-92; 4/1:6, 7; 5/1:6 Pearson, Ian, 5/2:78 Pedagogy [band], 4/1:18 Péloquin, Ovide, 4/2:64 Penderecki, Krzysztof, 5/2:92 Pentland, Barbara, 4/1:36 People’s Republic of China,
4/1:3 Pépin, Clermont, 5/2:91 (J.W.) Pepper & Son [publisher/éditeur], 5/1:17 Percussion, 1/2:28-34; 4/1:21; 4/2:86-89;
5/1:22, 34-38; 5/2:69, 98; gamelan, 4/1:38 “Percussion for the Non-Percussionist Band Director,”
Erik Janners, 1/2:28-34 “Percy Grainger’s Concept of Free Music,” Glen Gillis,
3/2:76-77 Perkins, Frank, c, Fandango,
4/2:61 Perret, John [photos],
4/2:100 Perry, Paul John (P.J.), 4/2:98 Persichetti, Vincent, 5/1:34 Peterson, Oscar, 4/2:73;
5/2:71; c, Canadiana Suite, 5/2:73 Petty Harbour Bait Skiff, c, James
Duff, 4/2:101 Philadelphia Orchestra [PA],
5/1:32 (The) Phil Nimmons Group [LP/33 tours], 5/2:74 Photos des pages couverture: Harmonie
d’Orangeville, 1878, 1/1; Chefs d’harmonie de l’Ontario, 1931, 1/2; Harmonie de
la Société musicale de Waterloo, 1935, 2/1; Fanfare Hannaford Street, 2002,
2/2; La Musique de l’Artillerie royale canadienne, 3/1; La Musique centrale de
la force aérienne royale du Canada, 1961, 3/2; Harmonie de l’École secondaire
régionale de Yorkton, 1998, 4/1; Harmonie Calixa-Lavallée de Sorel, 1917-18,
4/2; Harmonie des garçons de Kitsilano, 1936, 5/1; Harmonie symphonique du Centre
d’éducation de Cobequid, 1990-91, 5/2 Phrygian mode, 4/1:17 Piano Pieces, c, Russell
Sherman, 4/1:10 Picard, J. F., 4/1:44 Picasso, Pablo, 4/1:36 Piché, Jade, 5/1:1; 5/2:1; tr, « Pantomime pour vents et
percussions de Pierre Mercure, » 5/2:91-96 Pick Hits Live [CD], 4/1:34 Pictures at Hemke’s
Exhibition, 4/2:98 Pie IX, 4/2:64 Pier, Fordyce, 4/1:20, 44 “Pierre Mercure’s Pantomime for Winds and Percussion,” Timothy Maloney, 5/2:91-96 Pilafian, Sam, 4/2:93 Pinchin, Harry, 2/1:11-12;
4/2:99; 4/1:44; 5/2:95 Pishney-Floyd, Monte Keene, c, Omega Ω: Epilog, 4/2:98 Pitch [band], 4/1:18 Plains of Abraham [QC],
4/2:90; 5/1:24 Play-along jazz books &
recordings [Jerry Bergonzi], 4/2:81 Ployhar, James, I Recommend: A Complete Warm-Up
Technique Book Designed to Improve Fundamental Musicianship, 4/1:15 Podium Notes, 1/1:2; 1/2:2-3; 2/1:2-3; 2/2:50 Point Grey Jr. HS [Vancouver, BC], 5/1:10 “Point Pelee,” c, Howard Cable, 4/2:76, 77 Poirier, Napoléon, 4/2:64 Polgar, Tibor, c, Two Symphonic Dances, 3/1:33 Polychords, 5/2:94 Polytonality, 4/1:19, 37 Pope Pius IX, 4/2:64 Portland State University [Portland,
OR], 4/1:10; 5/2:68 Portrait of a Clown, c, Frank
Ticheli, 5/2:105 Pos, David, “In Memoriam:
Bernie Burke 1923-2002,” 2/1:16-17 Potter, A.J., c, Finnegan’s Wake, 5/1:41-42 Potter, Chris, 4/2:82 Potvin, Gilles, 5/1:27;
5/2:78 Poulenc, Francis, 4/1:384 Pourtier, Mme Elmire, 5/1:24 Powers Lake [ND], 5/1:17; Powers
Equity Band, 5/1:17 (A) Practical Source of
Authentic Assessment Strategies for Music Teachers, Susan Farrell, 5/2:88, 106 Practice: assisted, 4/2:81;
individual, 4/2:81; partner, 4/1:45 Prague Wind Quintet [Czech
Republic], 4/1:26 Prairie Central Regional
Honour Band [SK], 4/2:111 Prairielands Jazz Camp [Regina,
SK], 4/2:82 Pratt, Paul, 5/1:5 Prelude to Parting [film; music by/musique d’Elizabeth Raum], 4/2:78 President’s
Message,
1/1:3; 1/2:3; 2/1:4; 2/2:51; 3/1:2; 3/2:50; 4/1:2; 4/2:58; 5/1:4; 5/2:58 Prest, Anita, 1/2:3 Price, D. Glenn, 4/1:19, 21;
5/2:95 Prince Edward Augustus, Duke
of Kent and Strathearn, 5/1:25 Prince Edward Island, 5/2:58 Prince, William (Bill), 5/2:64 Princeton U Press [publisher/éditeur, NJ], 4/1:13 Programmes
[concert/de
concert] 1/1:44-46; 1/2:49-52; 2/1:37-42;
2/2:90-92; 3/1:38-41; 3/2:89-92; 4/1:47-50; 4/2:103-109; 5/1:47-53; 5/2:99-104 Acadia U [Wolfville, NS], 2/1:41 Aden Bowman Collegiate [Saskatoon, SK], 1/1:44; 2/2:91-92;
3/1:41; 4/2:107-108 A. J.
Smeltzer Jr. HS [Sackville, NS], 1/2:51; 2/1:42; 4/1:47 Alexander
Forbes Jr. HS [Grande Prairie, AB], 2/2:92 Anglo-Canadian Leather Company Band [Huntsville, ON],
1/2:49 Arthur
Day MS Grade 8 Band [Winnipeg, MB], 4/1:48 Assiniboia
Community Band [Winnipeg, MB], 2/1:38 Auburn
Drive HS [Cole Harbour, NS], 4/1:47 Brandon U [Brandon, MB], 1/2:50; 2/2:91; 3/2:91;
4/1:48-49; 4/2:105; 5/2:101 British Columbia Provincial Honour Band, 5/2:103 Calgary
Concert Band [AB] , 4/2:108-109 Calgary
Stampede Show Band [AB], 5/2:103 Campbell
Collegiate [Regina, SK], 1/2:50; 3/1:41 (H.M.) Canadian Grenadier Guards Band [Montreal, QC],
1/2:49 Canadian
Primos [Halifax, NS], 4/1:47 Centennial
Collegiate [Saskatoon, SK], 5/2:102 Charles
P. Allen HS [Bedford, NS], 3/2:89 Chester Brass Band [Chester, NS], 1/2:52; 2/1:41; 2/2:90;
3/2:89 Clarington
Concert Band [Bowmanville, ON], 2/1:40 Clayton
Park Jr. Jazz Band [Clayton Park, NS], 4/1:47 Cobequid
Educational Centre [Truro, NS], 1/2:52; 4/1:47 Collège
Jeanne-Sauvé [Winnipeg, MB], 1/1:45; 2/1:39; 4/1:49 Collège
Louis-Riel [Winnipeg, MB], 3/1:40 Collège
Silver Heights Collegiate [Winnipeg, MB], 2/1:39 Dalhousie U [Halifax, NS], 2/2:90; 3/2:89 De la Salle College [Toronto, ON], 3/1:39 Dr.
E.P. Scarlett HS [Calgary, AB], 3/1:41; 3/2:92 Evan
Hardy Collegiate [Saskatoon, SK], 3/2:91-92 Flutes
by the Score [Waterloo, ON], 4/1:49 Fort Richmond Collegiate [Winnipeg, MB],
5/2:101 Fredericton
Concert & Marching Band [NB], 1/1:45 Fredericton
HS [NB], 1/2:51 Garden
City Collegiate [Winnipeg, MB], 5/1:50 General
Byng School [Winnipeg, MB], 5/1:49 Georges
P. Vanier Jr. HS [Fall River, NS], 3/1:38 Grant
MacEwan College [Edmonton, AB], 3/2:92 Greater
Moncton Concert Band [NB], 2/2:90 Halifax
All-City Jazz Band [NS], 4/1:47 Halifax
Community Concert Band [NS], 2/1:41 3/1:38 Hannaford
Street Silver Band [Toronto, ON], 3/1:39 Hannaford
Street Youth Band [Toronto, ON], 5/2:100 Harry
Ainlay HS [Grande Prairie, AB], 4/1:50 Holy
Trinity Regional HS [Torbay, NL], 2/1:42 I.V.
Macklin Jr. HS [Grande Prairie, AB], 2/2:92 Jazz Connexion [Vancouver, BC], 5/1:53 John
Taylor Collegiate [Winnipeg, MB], 5/1:49-50 John
W. Gunn MS [Winnipeg, MB], 4/1:49; 5/1:49 Kitchener
Musical Society Band [ON], 4/2:104, 105 Lakeshore
Concert Band [Montreal, QC], 4/1:48 Lethbridge
Community Band [AB], 5/1:52 Lindsay
Thurber HS [Red Deer, AB], 3/1:41; 3/2:92; 4/2:108 Lloydminster
HS [SK], 2/1:38; 3/1:41; 5/2:102 Lockview
HS [Fall River, NS], 1/2:52; 2/1:40-41 Lower
Canada College [Montreal, QC], 5/1:47; 5/2:99 Madeline
Symmonds MS [Hammonds Plains, NS], 1/2:51 Manitoba
Senior Honour Band [MB], 4/2:106 Maple
Ridge SS [Maple Ridge, BC], 1/1:44; 1/2:49 Maples
Collegiate [Winnipeg, MB], 2/1:38-39 McGill
Wind Symphony [Montreal, QC], 5/2:99 McMaster
U [Hamilton, ON], 1/2:51; 2/2:91; 4/2:103, 105 Medicine
Hat Concert Bands [AB], 5/2:103 Melfort & Unit Comprehensive Collegiate [Melfort, SK],
5/2:102 Memorial
U of Newfoundland [St. John’s, NL], 3/138; 3/2:89 Mennonite Brethren Collegiate Institute [Winnipeg, MB],
3/1:40; 3/2:90; 4/2:106 Mersey
Band Society [Liverpool, NS], 4/1:47 Moose
Jaw Catholic Schools [SK], 3/2:91; 4/1:50 National Capital Concert Band [Ottawa, ON], 2/1:40; 2/2:90-91;
3/1:39 National
Concert Band, 2/1:42 National
Youth Band of Canada, 2/1:42; 3/1:38; 5/1:6, 52 Neepawa
Collegiate [Neepawa, MB], 5/1:50-51 New
Brunswick Winds [NB], 2/1:40; 3/2:90 Northdale Concert Band [Toronto, ON], 3/1:39; 3/2:90;
5/1:48; 5/2:100 North
Saskatchewan Wind Symphony [Saskatoon, SK], 5/2:102 North
Shore Concert Band [Vancouver, BC], 5/1:53 Northwinds
Community Concert Band [Winnipeg, MB], 2/1:38 Nova
Scotia Honour Jazz Sr. Big Band, 4/1:47 Nova
Scotia Jr. Wind Ensemble, 3/2:89; 4/1:47 Nova
Scotia Youth Wind Ensemble, 5/1:47 NSBA
All-Star Jazz Orchestra [NS], 4/1:47 NSBA
Tuesday Night Show Jazz Band [NS], 4/1:47 Ontario
Provincial Honour Band, 4/2:103 Pacific Symphonic Wind Ensemble [Coquitlam, BC],
5/1:53; 5/2:104 Pinawa
Community Band [Pinawa, MB], 2/1:38 (The)
Plumbing Factory Brass Band [London, ON], 5/1:48 Prince
Edward Island Intermediate Honour Band, 1/1:46 Prince
Edward Island Senior Honour Band, 1/2:52 Quebec
Band Association Honour Bands, 5/2:99 Regina
Senior Band Camp [SK], 1/2:50 Regina
Winds [SK], 4/2:107 River
City Big Band [Edmonton, AB], 3/2:92 Rosemount
HS [Montreal, QC], 3/1:39; 4/1:48; 5/1:47; 5/2:99 Rosseau
Lake College [Rosseau, ON], 5/1:48-49 Royal
Canadian Artillery Band [Edmonton, AB], 2/2:92; 3/2:91 Royal City Concert Band [New Westminster, BC], 4/1:50;
5/1:53 [Royal] Conservatory Symphony Band [Toronto,
ON], 2/1:37 Royal Winnipeg Rifles Regimental Band [MB],
2/1:38 Rupertsland Brass Band [Winnipeg, MB],
3/2:90; 5/2:100 Sackville Community Concert Band [Sackville, NS],
2/2:90; 3/2:89 St.
Francis Xavier U [Antigonish, NS], 1/2:52; 2/1:41 St.
Joseph HS [Saskatoon, SK], 5/2:101 St.
Mary’s HS [Calgary, AB], 5/2:103 Saskatoon
Brass Band, 5/1:51 Saskatoon
Concert Band, 5/1:52 Saskatoon
East School Division, 2/1:38 Saskatoon
Senior Band Camp, 1/2:50 Scotia
Brass [Sackville, NS], 2/1:41; 3/2:89; 4/1:47; 5/1:47 Seaquam
SS [Delta, BC], 2/1:37 Sounds
of Summer Percussion Camp [NS], 4/1:48 Springfield
Collegiate [Oakbank, MB], 2/1:39 Steinbach
Regional SS [Steinbach, MB], 2/1:39 Sunset
Heights PS [Oshawa, ON], 1/1:45 Swift
Current Comprehensive HS [SK], 1/1:445; 1/2:49-50 Toronto
Youth Concert Winds, 5/2:100 Toronto
Youth Wind Orchestra, 5/2:100 U of
Alberta [Edmonton, AB], 3/2:92; 4/2:108 U of
Calgary [AB], 4/2:108-109 U of
Lethbridge [AB], 5/1:52 U of Manitoba [Winnipeg, AB], 1/1:45; 1/2:50-51; 2/2:91;
3/1:40; 3/2:91; 4/1:48; 4/2:105-107; 5/2:101 U of Prince Edward Island, 1/1:46; 1/2:52;
3/1:38-39; 3/2:89; 4/2:103; 5/2:99 U of Regina [SK], 2/1:37; 2/2:92; 3/2:92; 4/1:49-50;
4/2:107; 5/1:51 U of Saskatchewan [Saskatoon, SK], 1/1:44-45; 2/1:37-38;
3/1:40-41; 4/2:107; 5/1:51; 5/2:102 U of Toronto [ON], 1/1:46; 1/2:51; 2/1:40; 2/2:90;
4/2:103, 104; 5/2:100 U of
Victoria [BC], 4/2:109; 5/1:52-53; 5/2:104 U of
Western Ontario [London, ON], 5/1:48 U of Windsor [ON], 2/1:39; 2/2:91; 3/1:39; 3/2:90; 4/2:103,
104; 5/1:47-48 Vanier College [Moose Jaw, SK], 4/1:50 Vincent Massey Collegiate [Winnipeg, MB],
3/1:40; 4/2:106 Walter Murray Collegiate [Saskatoon, SK],
2/1:37 Wellington Winds [Waterloo, ON], 3/2:90;
4/2:104; 5/2:100 Westman Honour Bands [Brandon, MB], 1/2:50 Westwood Community Band [Winnipeg, MB],
2/1:38 Wilfrid Laurier U [Waterloo, ON], 4/2:103,
104 William Aberhart HS [Calgary, AB], 3/1:41 Will Sinclair HS [Rocky Mountain House, AB],
3/1:41 Winnipeg School Division #1 Honour Band [MB],
3/2:91 Winnipeg
SO Winds & Percussion [MB], 4/2:106 Winnipeg Wind Ensemble [MB], 3/1:40; 4/2:106 Winnipeg Winds [MB], 3/2:91 Projet de théorie en ligne,
4/1:2; 4/1:41-42; 5/2:58 Prokofiev, Sergei, 4/1:38 Promane, Terry, “Big-Band
Check-Up,” 3/2:66-68 (The) Proud Canadian
Soldier, arr., Greenwood, Brian J., 5/2:97 Psalm 121, 5/1:33 Purday, Charles Henry, 5/1:33 Pure Desmond [CD], 4/1:34 Purves-Smith, Michael, 1/1:40; l, 1/2: 4; 2/1:2; 5/2:78; “Canadian Wind-Band
Repertoire (2),” 4/1:19-22; [with J. Dawson] “An Interview with Howard Cable,”
4/2:72-77; c, The Cremation of
Sam McGee, 4/1:22 Quebec Band Association (QBA),
3/1:2; 5/1:6 Quebec City, 4/1:6; 5/1:12; 5/2:69 Quebec Folk Fantasy, c, Howard
Cable, 4/2:73; 5/2:70 Quebec Music Educators
Association, 5/2:70 Queens U [Kingston, ON],
4/2:66 Question and Answer [CD], 4/1:34 Radelet, Don, 5/1:13 Radio-Canada: “L’Heure du
concert,” 5/2:91; R-C International (RCI) Anthologie of Canadian
Music/Anthologie de la musique canadienne [discs/disques], 5/2:95 Radio Telefis Eireann, 5/1:42 Rae, Jackie, 4/2:73 Ralston Saul, John, 4/1:62-63 Ramsbottom, Gene, 4/2:99 Rape Me, c, Kurt
Cobain, 4/1:33 Raum, Elizabeth, One Hundred Years of Fanfares, 4/2:78-79; [with David McIntyre] Bushwakker Six
Pack/Hybrids [CD], 4/2:79; Jason
and the Golden Fleece [CD], 4/2:79;
“Oboe Basics (Part I),” 5/2:79-81 Ravel, Maurice, Pavane for
a Dead Princess, 4/2:59 RCMT, see/voir Royal Conservatory of Music of Toronto Read, Paul, 5/1:14; “Jazz and the Art of Practicing
Jazz Saxophone,” 4/2:80-83; “An Interview with Phil Nimmons,” 5/2:71-74; (The)
Heart of Summer [CD], 5/2:74 Reader’s Digest [magazine], 5/1:12 RealAudio®,
4/1:21 Recorded auditions [auditions
enregistrés], 4/1:40 (The)
Red Balloon [film; music by/musique
de Maurice LeRoux], 4/1:10 Red Cross, 5/1:12 “Reducing Repair Costs,”
Dennis Adcock, 5/1:46 Reed, H. Owen, c, La Fiesta Mexicana, 4/2:59 Reeds: Single, 1/2:18-23; oboe, 5/279-80 Reesor Park: An Overture
for Band, c, David Marlatt, 4/1:21 Reesor Park Public School [Markham,
ON], 4/1:21 “Reflections of the Durham Beginning Band Symposium,”
Andy Barber, 1/2:10-11 Reflections on the Past:
Music for Concert Band [CD], 4/1:21 Refus global, Paul-Émile Borduas, 5/2:91 Reger, Max, 4/1:36 Régiment Carignan-Salières [France], 5/1:24 Regina: SO, 4/2:78; 5/2:81; Downtowners
Optimist [Band] Festival, 4/1:6; Kinsmen “Telemiracle,” 4/1:6; 4/1:7 “Rehearsal Structures of College Wind-Band
Conductors,” Shelley Jagow, 2/1:31-34 Rehearsing: 1/1:8-12; 2/1:20-22, 31-34; 4/1:11-13,
15-16; 5/2:66 “Rehearsing vs. Teaching,”
Fraser Linklater, 4/1:15-16 Reich, Steve, 4/1:21 Remembrance [CD], 4/2:77 Remembrance Day, 5/1:33 Renaissance [period], 5/2:86 Rencontre
avec un compositeur, 2/2:60-65; 3/2:57-61; 4/2:72-77; 5/2:71-74 Repair and Replacement
Budget, 3/2:88 Repair
Bench,
1/1:42-43; 1/2:47-48; 2/1:36; 2/2:89; 3/1:37; 3/2:88; 4/1:46; 4/2:102; 5/1:46;
5/2:98 “Repertoire as Curriculum,” Wendy McCallum, 5/2:105-106 Répertoire canadien, articles
sur: “20th-Century
Canadian Concert Music for Bands and Wind Ensembles: An Introduction,” Timothy
Maloney, 1/1:32-37; “Canadian Wind-Band Repertoire:” (1) Denise Grant, Keith
Kinder, Jeffrey Reynolds, 3/1:31-35; (2) Michael Purves-Smith, 4/1:19-22; (3)
Fraser Linklater, 5/1:33-38 Répertoire canadien: titres individuels, voir:
Applebaum, Bell, Buhr, Cable, Calvert, Carlson, Chan, Chatman, Coakley, Colgrass,
Court, Curnow, Duff, Estacio, Forsyth, Freedman, Gayfer, Gilliland, Greenwood, Hatch,
Healey, Herberman, Jutras, Kulesha, MacKay, MacLaughlan, Marlatt, McPhee, Mercure,
Morawetz, Nimmons, Polgar, Purves-Smith, Raum, Slatter, Smallman, Sirulnikoff, Thiele,
Wade West, Weinzweig Repertoire selection,
5/2:105-106 Resource Guide for Elementary
Music Teachers, 3/1:6 Retreats [band], 1/2:13-14; 5/2:66 Reviews, 1/1:39-41; 1/2:42-46; 2/1:35;
2/2:86-88; 3/1:36; 4/1:43-45; 4/2:101; 5/2:97 Reynolds, H. Robert, 4/2:59;
4/1:9, 10 Reynolds, Jeffrey, 2/1:2; 5/1:21; r, The Tipbook Series by Hugo Pinksterboer, 2/1:35; [with D. Grant & K. Kinder], “Canadian
Wind-Band Repertoire,” 3/1:31-35; “The Collaborative Music Room,” 4/1:11-13;
“Thoughts on Balance and Tone in the Wind Band,” 5/1:22-23 Rhapsodic Essay, c, James
Barnes, 4/1:44 Rhosymedre, c, Ralph
Vaughan Williams, 4/2:61 Rhythm, 4/1:18; 4/2:70 Rhythmic Warm-Ups for Wind
Band, 1/1:48-47 Richards, Dal, 5/1:11, 13 Richardson, Colleen, “Motivation and the ‘Likeability
Factor’,” 5/1:44-45 Richardson Foundation
[Winnipeg, MB], 4/1:3 Rico International [reeds/anches],
4/1:26 Ricordi (Canada) [publisher/éditeur],
5/2:95 Ridout, Godfrey, 4/2:72 Ringler, Dennis, 4/2:98 (The) Rise & Development of Military Music, Henry George Farmer, 5/1:27 Rise Sons of William, c, John
Slatter, 5/2:75 Riverdance, 5/1:41; arr. Carl Strommen, 5/2:97 Riverscape: St. John
Portrait, c, Phil Nimmons, 5/2:74 Robbins, Dave, 4/2:98 Robertson, Andrew L. (Al),
1/2:3; 5/1:5 Robertson, Archie, 5/2:64 Robinson, Mary, 5/1:42 Robinson, Scott, 5/2:74 Rochester Little Symphony
[NY], 4/1:37 Rock!, c, Glenn
Buhr, 5/1:23 Rocky Mountain Alphorn Trio
[MN], 5/1:39 Roderman, Ted, 4/2:73 (“The) Role of the Guitar in Jazz Ensembles,” Brian
Zimmerman, 4/1:31-35 Rolla [ND], 4/1:3 Romanec, Craig, 5/1:8 Roncorp [publisher/éditeur], 4/1:26 Rondo [form/forme], 5/2:77 Ros, c, Phil Nimmons, 5/2:74 Rosevear, Robert A., 4/2:74 Ross, G., 4/2:60 Rostropovich, Mstislav,
1/2:35 Roussel, Albert, 4/1:36 Royal Canadian Air Cadets Band [Tswassen/Delta, BC],
4/1:4; 5/1:40 Royal Canadian Air Force, 4/2:74;
Central Band, 3/2:1 [cover photo/photo de la page couverture] (“The) Royal Canadian Artillery Band,” W.O. Shawna L.
Mochnacz, 3/1:7-8; (The) Royal Canadian Artillery Band [Edmonton, AB], l, 2/2:52; 3/1:1 (cover photo/photo de la page
couverture); r, 4/1:43-44; Royal Canadian Artillery Band
[Halifax], 5/2:62 Royal Canadian Artillery, 7th
Toronto Regiment Band, 4/2:76, 77 Royal College of Music [London,
UK], 5/1:41 Royal Conservatory of Music [London, UK],
5/2:86 Royal Conservatory of Music of Toronto (RCMT),
Ettore Mazzoleni Concert Hall, 4/2:72; 4/1:41 Royal
Fusilers [London, UK], 5/2 :75 Royal
Fusilers[’] Arrival at
Quebec, c, Charles Voyer de
Poligny d’Argenson, 5/1:24-27 Royal Irish Academy of Music
[Dublin, Ireland], 5/1:41 Royal Navy [UK], 5/2:75 Royal Northern College of Music Wind Orchestra [Manchester,
UK], 5/1:43 Royal Regiment of Artillery [UK],
5/1:26 Royal Regiment of Canada Band
[Toronto], 4/2:77; 5/1:27; 5/2:96 Royal Tournament [London, UK],
5/1:25 Royal Winnipeg Ballet
Orchestra [MB], 4/1:13; 5/1;23 Royal York Hotel [Toronto],
4/2:75 R.S. Williams Company
[publisher/éditeur], 5/2:76 Rubinstein, Anton, 4/1:36 Rudolph, Max, 4/1:8; The Grammar of Conducting: A Practical Guide to Baton Technique and
Orchestral Interpretation, 4/1:10 Ruggles, Carl, 4/1:36 “Rule Britannia,” 5/2:76 Rumford [ME], 5/2:76 Russian horn band, 5/1:39 Rutgers U Wind Ensemble [NJ],
5/1:43 Ryga Campbell, 4/2:98 St. Francis Xavier U [Antigonish,
NS], 5/2:64; jazz program, 5/2:65 St. James’s Suite, c, Gerard
Victory, 5/1:42 St. John the Baptist, 5/1:24 St. John’s Music Foundation,
1/2:2 St. Joseph’s Jr. HS [Yorkton,
SK], 4/1:6 St. Joseph’s Oratory [Montreal,
QC], 4/2:90 St. Lawrence Seaway, 4/2:90;
river, 5/1:10 St. Louis Symphony [MO],
4/1:10 St. Olaf College [Northfield,
MN], 5/1:39 “St. Patrick’s Day,” 5/3:76 St. Pierre de Sorel [église/church,
QC], 4/2:65 St. Pierre et Miquelon, c, Phil Nimmons, 5/2:73, 74 St. Thomas More College
Auditorium [Saskatoon, SK], 4/2:97 Saito conducting method,
4/1:42 Salaberry, Lieutenant-Colonel
Charles de, 5/1:24 Salisbury Composite HS [Sherwoord
Park, AB], 4/1:21 Salvation Army, 4/2:73;
5/1:10 Salvation is Created, c, Pavel
Tschesnokoff, 5/2:67 Sanborn, Chase, 4/2:82 Sandpaper, 5/2:79 Sands of Time, c, Phil
Nimmons, 5/2:74 Sarabande, 5/2:67 Sarah, c, Phil Nimmons, 5/2:74 Saskatchewan Band Association (SBA), 4/1:7; 4/2:78; 5/1:32;
5/2:70; SBA Junior Band Camp, 4/2:99; SBA Band Week, 5/1:6 Saskatchewan Community
Initiatives Fund, 4/2:78 Saskatchewan Learning, 5/2:70 Saskatchewan Music
Conference, 4/1:10 Saskatchewan Music Educators
Association, 4/1:7; 5/2:70 Saskatchewan River [film; music by/musique d’Elizabeth Raum], 4/2:78 Saskatchewan Summer Band
Camp, 4/2:97 Saskatoon: Jazz Society, 4/2:98; SSO, 4/1:7; 4/2:97, 98; Public Board of Education,
4/1:42; Public School Division, 5/2:70; Youth Orchestra, 4/1:42 Satie, Erik, c, Gymnopédies,
5/1:34 Savage, Gerry [photos],
4/2:100 Savoy Records [records/disques],
4/1:31 Saxophone: 5/1:22; intonation, 2/1:13-16; repairs,
3/1:37; practicing, 4/2:80-83; care, 4/2:102; alto, 4/1:21 Scale patterns, 4/1:17; in
thirds, 4/1:17 Scarborough Board of
Education [ON], 5/1:34 Schaeffer, Pierre, 5/2:92 Scherchen, Hermann, Handbook
of Conducting, 4/2:73, 77 Schlueter, Charles, 4/2:59 Schmidt, David, 4/2:98 Schoenberg, Arnold, 4/1:36, 38; c, Chamber Symphony No. 1, 4/1:37 Schudel, Thomas, 4/2:78 Schwager, Reginald, 4/1:31;
5/2:73 Schwantner, Joseph, c, …and the mountains rising nowhere, 4/1:10 Scissors and Glue, c, Doug
Beach, 4/1:44 Scofield, John, 4/1:34 Score analysis & study, 4/1:18; 4/2:70; 5/2:67-68,
106; score “maps,” 5/2:68 Score reading, 4/2:68-70;
score analysis, 4/1:18; 4/2:70 Scotia Brass [Sackville, NS],
5/2:88 Scottish Rhapsody,
c, Howard Cable, 4/2:73 Seasons’ Celebration [CD], 4/2:77 « Secrets pour clarinettistes », Michèle Gingras, 4/1:24-26 “Selecting Repertoire: A Matter of Conscience –
A Personal Viewpoint,” Craig Kirchhoff, 3/1:45-47 Seltenrich, Ellen, 4/1:6 (La) Semaine internationale de
musique actuelle [Montréal, 1961], 5/2:92 Serial composition, 5/2:91 Serianni, Carol [Port
Coquitlam, BC], 4/2:74 Sessions, Roger, The Musical Experience of
Composer, Performer, Listener, 4/1:11 75th
Anniversary [CD], 4/2:76, 77 “76 Trombones? Developing Balanced Instrumentation,”
Fraser Linklater, 3/1:12 Shakespeare, William, 4/1:19; 5/2:86; Romeo and
Juliet, 5/2:88; All’s Well That
Ends Well, 4/1:19 Shaping Sound Musicians: An Innovative Approach to
Teaching Comprehensive Musicianship Through Performance, Patricia O’Toole, 5/2:88, 106 Shaw, Artie, 4/2:72 Shepherd’s Hey, c, Percy
Grainger, 5/2:67 Sherbrooke Band Festival [QC], 4/1:6 Sheridan, Claude, 4/2:65-66 Sherman, Russell, 4/1:10; Piano
Pieces, 4/1:10 “She’s Like the Swallow,”
5/1:18-21 Shew, Bobbie, 4/2:98 Shonn, Audrey, “Edmonton’s Cosmopolitan Music Society:
40 Years and Still Blowing Strong,” 2/1:11-12 Shore, Beverley, 4/1:6, 7 Shostakovich, Dmitri, c, Festive Overture, 4/1:43 Sibelius® [software/logiciel],
5/2:78 Siddall, Jon, 4/1:38 Sight reading, 4/1:45,
5/2:105 Simón Bolivar Conservatory [Venezuela],
4/1:26 Simon, Karem J., 1/1:1; 1/2:1; 2/1:1; 2/2:49; 3/1:1;
3/2:49; 4/1:1, 2; 4/2:57; 5/1:1; 5/2:57, 58; “Why Won’t They Watch?” 1/1:15;
[with J.Dawson] “2005 CBA Festival Repertoire List,” 4/1:51-52; “An Interview
with Don Buell,” 4/2:59-61 Simon, Robert, 4/1:5 Simonson, Lynne et al, “Frederick Fennell, 1914-2004,” 3/2:93 Sindelfingen [Germany], 4/1:4 Sinfonia de Lanaudière [QC],
4/2:65 Single reeds, 1/2:18-23 Sirulnikoff, Jack, 5/2:64; c, Variations on a Rollicking Tune, 2/2:82-85; 4/2:101 Skyscape: Sleeping Beauty
& the Lions, c, Phil Nimmons, 5/2:74 Slatkin, Leonard, 4/1:10, 38 Slatter, Cpt. John, 5/1:5; 5/2:75-78; c, Bonnie Brier Bush, Canadian Patrol, Cock O’ the North, National Airs
and Regimental Marches, New
Canadian Patriotic Band Book, No
Surrender, Rise Sons of William, Under the British Flag, 5/2:75-78 Slyke, Richard van, 5/1:13 Smallman, Jeff, c, Pavana Antiqua, 4/2:101 Small, Small, Big, c, Jennifer
Walshe, 5/1:42 Smart Music® [software/logiciel],
4/2:80 Smith, C.T., c, Fantasia for Alto Saxophone and Band, 4/2:98 Smith, James, 4/2:59 Smith, Ray, 5/1:11 Smokin’ at the Half Note [CD], Wes Montgomery, 4/1:34 Snake Fence Country, c, Howard
Cable, 4/2:73, 74 Snake Fence Country [CD], 4/2:77 Snare drum, 5/1:22 SOCAN, see/voir Society of
Composers, Authors, and Music Publishers of Canada/Société canadienne des
auteurs, compositeurs et éditeurs de musique Société canadienne des auteurs, compositeurs
et éditeurs de musique (SOCAN): Prix SOCAN Phil Nimmons IAJE, 5/2:72 Société de musique contemporaine
du Québec (SMCQ), 5/2:92 Société nouvelle d’enregistrement
(SNE) [disques/records], 4/1:26 Société philharmonique Calixa-Lavallée [QC], 4/2:64 Société pour le patrimoine
musical canadien (SPMC), 4/1:39; 5/2:78, 95; Le Patrimoine musical canadien,
Vol. 21: Musique pour vents I: Harmonies, 5/2:78; Vol. 24: Musique pour
vents II: Ensembles, 4/1:39; 5/2:95 Society of Composers, Authors, and Music Publishers of
Canada (SOCAN): SOCAN Phil Nimmons
IAJE Award, 5/2:72 Society for Cultural Exchange of Young Swiss
Musicians, 4/1:4; 5/1:40 Solfège, 5/2:67, 87 Solo Concert [CD], 4/1:34 Somers, Harry, c, Symphony for Woodwinds, Brass, & Percussion, 2/1:25-30 Sommerville, Rob, 4/2:98 Sonata-allegro [form/forme],
4/1:38 Sonata for Wind Orchestra, c, Harry
Freedman, 3/1:34 Songs for the Morning Band, c, Donald
Coakley, 4/2:101 Songs My Mother Taught Me [CD], Joan Watson, 5/2:90 Sony Classical [records/disques],
4/1:39 Sorel [QC], 4/2:64-66 Soren Richard, 1/1:1; 1/2:1, 3;
2/1:1 Sotvedt, Ken, 5/1:13 “Sound Advice: Preparing Recorded Auditions,” Corah
Enns, 4/1:40 Sound quality [band], 4/1:18 Soundshock, c, Eibhlís Farrell, 5/1:43 Sousa, John Philip, 5/2:75 Southampton Festival Winds [ON],
5/1:23 Southampton [UK], 5/1:11, 12 South Colchester HS [NS],
5/2:65 Southern Music Company
[publisher/éditeur], 4/2:77 Sparke, Philip, c, Pantomime,
4/1:44 Sparkle [film; music by/musique d’Elizabeth Raum], 4/2:78 Spatial notation, 4/1:21 Sprung rhythm, 4/1:21 Southern Command Band [Irish
Army], 5/1:41 S.S. Samaria [ship/navire], 5/1:12 Stadacona Band of Maritime
Forces Atlantic [Halifax, NS], 5/2:63 Stagg, Barry, 5/2:64 Stanford, Charles, 5/2:86 Stanford U [Palo Alto, CA],
5/1:32 Staples, David, 4/2:98 Staples, Thomas, 4/2:74 Startup, Glenn, 5/1:10 State University of New York
(SUNY)-Buffalo, 4/1:59 Steady Boys March, c, Charles
F. Thiele, 5/2:76 Steen, Graeme, 4/2:98 Stein, Gertrude, 4/1:36 Stephens, Janice, 5/1:15 Step Up [film], 5/1:9 Stereo effect, 4/1:45 Stevens, Thomas, 4/1:11 Stockhausen, Karlheinz, 5/1:42; 5/2:92 Stokes, Sheridan & Richard Condon, Illustrated
Method for Flute, 5/1:32 Stokowski, Leopold, 4/1:36;
5/2:92 Stormon, John A., 4/1:3 Strange, Richard, 4/2:99 Stratford Shakespearian Festival [ON], 4/1:19; Stratford
Festival Ensemble, 4/1:13; 5/1:23 Stratford Suite, c, Howard
Cable, 4/2:74 Stravinsky, Igor, 4/1:19, 36; 5/2:91, 94; c, Octet,
4/1:37; Concerto for Piano and Winds,
4/1:37; L’Histoire du soldat,
4/1:38 Streatfeild, Simon, 5/2:69 Strictly Nimmons [LP/33 tours], 5/2:74 Strike Up the Band, c, George
Gershwin, 4/1:44 Strong and Free [CD], 4/2:76 Strophic form, 5/1:33-38 Structure [musical/musicale],
4/2:79 Structures métalliques II, c, Pierre Mercure, 5/2:92 “Student Leadership Can Make the Difference: Music
Councils that Work,” Mark Caswell, 4/1:55 Studio Music Company, 4/2:77 Study Guides for Canadian Wind-Band Repertoire: Elizabeth
Raum’s 100 Years of Fanfares, Jennifer
McAllister, 4/2:78-79; Morley Calvert’s Suite on Canadian Folk Songs, Mark Hopkins, 5/1:18-21; André Jutras’s Three
Folk Miniatures, Ian Cochrane,
5/2:69-70 Stuttgart [Germany/Allemagne],
4/1:4 Submission Guidelines, 1/1:38; 1/2:54; 2/1:43; 2/2:94; 3/1:48; 3/2:100;
4/1:56; 4/2:112; 5/1:56; 5/2:108 Suite from the Monteregian
Hills, c, Morley Calvert, 5/1:18 Suite No. 4 Cycles (Part
I), 4/1:43 Suite of Miniature Dances, c, Louis Applebaum, 4/1:19 Suite on Canadian Folk Songs, c, Morley Calvert, 5/1:18-21 Suite PEI, c, Phil Nimmons, 5/2:73, 74 Sunderland, Lt. S. E. F.,
5/1:5 Suppan, Armin, 4/2:99 Suppan, Wolfgang, 4/1:4 Suppé, Franz von, c, Light Cavalry Overture, 5/2:97 Surdin, Morris, 5/2:73 Suzuki pedagogy, 4/1:15 Swift & Company [CO],
5/1:11 Symphony Nova Scotia
[Halifax, NS], 4/2:77; SNS Brass, 4/2:77 Symphony for Woodwinds, Brass, and Percussion, c, Harry Somers, 2/1:25-30 Symphony in B-flat, c, Paul
Hindemith, 4/2:98 Symphony No. 4, c, Alan
Hovhaness, 4/2:98 Symphony of Youth [film; music by/musique d’Elizabeth Raum], 4/2:78 Symposium Voix unies 2006, 5/1:4 Tableaux Sportifs, c, Gerard Victory, 5/1:42 Table des
matières/Table of Contents, 1/1:1, 1/2:1; 2/1:1; 2/2:49; 3/1:1; 3/2:49; 4/1:1;
4/2:57; 5/1:1; 5/2:57 Tabuh-Tabuhan, c, Colin
McPhee, 4/1:38 Tabuh-Tabuhan – Music of/Musique de Colin
McPhee [CD], 4/1:38 Tabuteau, Marcel, 4/1:44 Tafelmusik Baroque Orchestra
[Toronto, ON], 4/2:62 Tai Chi, 5/1:14 Take Ten [LP/33 tours], 5/2:74 Tallis, Thomas, 5/2:85 Tanglewood Music Center [Lenox, MA], 5/2:91 Tchaikovsky, Peter I., c, Symphony No. 4, 5/2:97 “Teacher Success: Establishing a Mentoring Program,”
Denise Grant, 1/1:16-20 “Teaching Beginning Brass Players: A Singing
Approach,” Gregory Burton, 3/2:82-83 Teaching Music Through Performance in Band, 4/2:78; 5/2:85, 107 Teaching Music with Passion: Conducting,
Rehearsing, and Inspiring, Peter L.
Boonshaft, 1/2:44; 5/1:8; 5/2:59, 60 Teaching Music with Purpose: Conducting, Rehearsing and Inspiring, Peter L. Boonshaft, 5/2:59, 60 Teaching Musicianship in the High School Band, Joseph A. Labuta, 5/2:106 Technique of the Saxophone, Joe Viola, 4/2:80 Teflon®
tape, 5/2:79 Tempo [journal/revue], 4/1:39 Tetrachords, 4/1:41 Texas Music Educators Association conference, San
Antonio, 2006, 4/2:99 Text painting, 5/1:18, 20 Texture, 4/2:70 Theory For Young Musicians, 4/1:41 Thiele, Charles F., 5/1:5; c, Canada On Parade, Characteristique Overture, Chatham Kilties March, High Park March, Majestic Stride, March
[untitled], Over the Border, Steady Boys March, 5/2:75-78 Think Nice Thoughts, c, Phil
Nimmons, 5/2:74 Thom, Bing Wing, 5/1:13 Thomas, Linda Lee, 4/1:39 Thompson, Gordon V. [publisher/éditeur], 4/2:76; 4/1:22 Thomson, Virgil, 4/1:36, 37 Thornhill [ON], 5/2:71 “Thoughts on Balance and Tone in the Wind Band,”
Jeffrey Reynolds, 5/1:22-23 Three and Four, c, Phil
Nimmons, 5/2:74 “Three Blind Mice,” 4/1:17 Three Folk Miniatures, c, André Jutras,
4/2:101; 5/1:36-37; 5/2:69-70 Threeful,
c, Phil Nimmons, 5/2:74 Through-composed [form/forme],
5/1:34 Thunder Bay [ON]: 5/2:69; TBSO,
4/2:65 Ticheli, Frank, c, Blue Shades, 4/1:44; Portrait of a Clown,
5/2:105 Tides, c, Phil
Nimmons, 5/2:74 Tiefenbach, Peter, 4/2:77 Time and The Winds, Frederick Fennel, 5/1:17 Timpani, 5/1:22; glissandi, 5/2:94 The Tipbook Series by Hugo
Pinksterboer, 2/1:35 Tipping, Willis, 4/2:73 “Tiptoe,” 4/1:43 Tiroir à
idées, 1/1:48-47;
1/2:55-56, 48; 2/1:44-47; 3/1:45-47; 3/2:98-99; 4/1:53-55; 4/2:110-111; 5/1:54-55;
5/2:106 Toews, Wayne, “What to do Until the On-Line Theory
Course is Available,” 4/1:41-42 Toff, Nancy, The Flute Book: A Complete Guide for
Students and Performers, 5/1:32 Tone clusters, 4/1:21 Tonguing [Brass], 2/1:17-19 Tools for Powerful Student Evaluation, Susan Farrell, 5/2:87 (The) Torch,
c, Phil Nimmons, 5/2:74 Toronto: Board of Education, 5/1:8; HS Honour Band,
5/1:23; Tor. Conservatory of Music, 4/2:72, 73; Toronto Star, 4/1:36, 39; 5/1:8; TSO, 4/2:72; 5/1:34; 5/2:90; Tor.
Wind Orchestra, 5/1:21; Tor. Wind Symphony, 4/1:21; Downtown Tor. Jazz
Festival, 5/2:74; Tor. Cadet Band, 5/2:75; Tor. Kiwanis Festival, 5/2:90 Tournament of Roses
[Pasadena, CA], 4/2:92; 4/1:6 “Toward Transparency: Let the Music Speak!”, Gerald
King, 1/1:21-24 Towner, Ralph, 4/1:34 Townsend, Declan, c, Dreamworld, 5/1:43 Townsend, Peadar, 5/1:43 Traditions [CD], 4/1:43 Train Ride, c, Howard
Cable, 4/2:74 Transformations, c, Phil Nimmons, 5/2:72 “Transporting Instruments,” Dennis Adcock, 5/2:98 “Transposing Covey,” Edwin
Wasiak, 3/2:62-65 Treaty of Paris, 5/1:24 Tremblay, Gilles, 4/1:38 Tremblay, Mark, 4/2:62 Trequair, Glen & Lil,
4/1:6 Triads [second inversion],
4/1:19 Trinity College [Dublin],
5/1:41 Triple-tonguing [flute], 5/2:94 “Trip Planning: An Educational Approach,” Larry
Pearen, 4/2:90-92 TriState [Music] Festival [OK], 4/1:6; Chamber
Players, 5/1:45 Trombone solo in H. Cable’s Newfoundland Rhapsody, 4/2:73 Trudel, Alain, 4/2:99 True North Brass Quintet
[Toronto], 4/2:76, 90 Trumpet, 1/2:24-27;
3/1:21-23; care, 4/2:102; 4/1:15; 4/1:21 Truro Concert Band [NS], Jr. HS Band, 5/2:62, 63, 65; Daily
News, 5/2:62, 63; stage band, Truro
District Schools Band Auxiliary, 5/2:63; Town Council, Senior HS, 5/2:64 “Truro District Schools Band Program,” Ken Henderson,
5/2:62-65 Tschesnokoff, Pavel, c, Salvation is Created, 5/2:67 Tuba: 5/1:23; survey, 3/2:86-87; survey results, 4/2:93-94;
playing, 4/1:15; Christmas, 4/2:62, 94 Tucker, C.P.O. Thomas I.,
5/1:5 Tupman, Dennis F., 5/1:13; Advocacy Corner/Au Banc des supporteurs: 1/1:7; 1/2:13-14; 2/1:9-10; 2/2:56-57;
3/1:6; 3/2:52; 4/1:5; 4/2:62; 5/1:8-9; 5/2:60; “Are Band Rooms Harmful to
Hearing,” 5/1:54-55 Turner, Brad, 4/2:98 Turner, Cindi Johnston, 5/2:95 Turner, Connie, “Canadian Band Association Festival
List Sanctioned 2003,” 2/1:6-8 Turning the Mind into an
Ally, Sakyong Mipham, 5/1:14 (“A) Tutorial on Single Reeds,”
Timothy Maloney, 1/2:18-23 Tuxedo Junction, c, Erskine
Hawkins, 5/2:97 Twain, Shania, 4/1:6 Twelve-tone technique, 5/2:91 “20th-Century Canadian Concert Music for
Bands and Wind Ensembles: An Introduction,” Timothy Maloney, 1/1:32-37 “Twinkle, Twinkle, Little
Star,” 4/1:17 “Two Anniversaries,” Alois
Brandenberg, 4/1:3-4 “Two Early Canadian Marches,”
Timothy Maloney, 5/1:24-27 Two Minute Symphony, c, Timothy
Broege, 5/2:105 Two Symphonic Dances, c, Tibor
Polgar, 3/1:33 Ulmer, Ross, 4/1:43; 4/2:98 UNC Jazz Press
[publisher/éditeur], 5/2:74 Undercurrent [CD], 4/1:34 Under the British Flag, c, John
Slatter, 5/2:75 Under the Green Time, c, Roger Doyle, 5/1:42-43 Under the Green Time [CD], 5/1:42-43 Underwood, Dale, 4/2:98, 99 Unical [recordings/disques],
5/2:95 Unifest [U of Saskatchewan],
4/2:98, 99 Union of Swiss Music
Conductors, 4/1:4; 5/1:40 “Unit Plan for Gordon Jacob’s William Byrd Suite,” Nathan Beeler, 5/2:85-88 United Nations, 4/1:38 United Way [Centraide],
4/2:66 Uniting Our Voices Symposium, 3/2:50; 4/2:58; 5/1:8, 9 “Uniting Our Voices,” Dennis
Tupman, 5/1:4 Universal Studios [FL & CA]: “Lights, Action &
Music,” 4/1:6 U de Montréal [QC], 4/2:65 U du Québec à Montréal [QC], 4/2:66 U du Québec à Trois-Rivières [QC], 4/2:66 U Laval [Quebec City QC], 4/2:90;
5/2:69 U of Alberta [Edmonton],
4/1:19; 5/2:65; Wind Ensemble, 4/1:20 U of British Columbia
[Vancouver], 5/1:33 U of Calgary [AB], 4/2:66; 5/1:39; Wind Ensemble,
4/1:19; 4/1:21; 5/1:23, 45; 5/2:95 U of California at Los
Angeles (UCLA), 4/1:38 U of Chicago [IL], 5/1:14 U of Cincinnati College-Conservatory
of Music [OH], 5/1:45 U of Colorado [Boulder],
5/1:40 U of Guelph [ON], 4/1:20 U of Lethbridge [AB], 4/2:74 U of Manitoba [Winnipeg]: 5/1:8, 38; 5/2:88; Wind
Ensemble, 4/1:35; 4/2:101; 51/33, 38; 5/2:70; Chamber Winds, 5/1:38 U of Minnesota [Minneapolis], 4/1:10, 12; 5/1:27, 39; 5/2:68,
96; Art of Wind Band Teaching and Conducting [symposium], 5/1:16; Music
Library, 5/1:27 U of Music and the Performing Arts, Graz, Austria,
4/1:4 U of North Dakota [Grand Forks], 5/2:106 U of North Texas [Denton], 5/2:106; UNT Symphonic
Band, Murchison Performing Arts Center, Winspear Hall, 4/2:99 U of Prince Edward Island [Charlottetown]: 5/1:40; conducting symposia, 4/2:59; UPEI Wind
Symphony, 4/2:61 U of Regina [SK], 4/2:78;
4/1:10; 5/2:68; 5/2:81 U of Rochester [NY] recordings,
5/2:95 U of Saskatchewan [Saskatoon]: 5/1:8; Bands,
4/2:97-100; Department of Music, 4/2: 97; Alumni Band 1990, 4/2:98; Jazz
Ensemble, 1/1:40; Varsity Band, Concert Band, Wind Orchestra, Division of Media
& Technology, Brass Days, Students’ Union, Extension Division, Music
Education Society, Association of Student Musicians, University Bands Student
Executive, “Wall of Fame,” 4/2:99; Unifest, 4/1:6; Chamber Orchestra, 4/1:42 U of Texas at Austin, 4/1:15 U of Toronto [ON]: 5/2:68, 71, 74; Faculty
of Music, 5/2:90; Band, 10 O’Clock Jazz Orchestra, 4/2:74; Wind Symphony, 4/1:10;
4/2:77; Symphonic Band & Wind Ensemble, 4/1:13, 20; 5/1:23; U of Victoria [BC], 4/1:20;
5/1:23 U of Western Ontario [London],
5/1:40, 45; 5/2:71 U of Windsor [ON], 5/1:32 U of Wisconsin: Whitewater,
Madison, 4/2:59 “Unto the Hills,” 5/1:33 Unverricht, Brian, 4/2:98 Update: Applications in
Music Education Research, 5/1:32 U.S. Navy Band, 4/2:98 Utgaard, Merton, 4/1:3;
Endowment, 4/1:3 UTS, c, Phil
Nimmons, 5/2:74 Valois, Gilles, “Harmonie Calixa-Lavallée de Sorel, Québec:
90 ans d’histoire/The Calixa Lavallée Band of Sorel, Quebec: 90 Years of
History” (tr, Timothy Maloney),
4/2:64-66 Valve repairs, 1/2:47-48 Vancouver: 5/2:69; Dorfmusik, 4/1:4, 5/1:12, 40; Expo
’86, 4/1:6; Point Grey Jr. HS, General Gordon School, Kitsilano, Kitsilano Boys
Band, 5/1:10; Laura Secord Elementary School, Grandview School of Commerce, Jr.
Symphony, John Oliver HS, 5/1:11; 111th Squadron Air Cadet Band,
5/1:12; V. School Board, 5/1:54; V. Opera Orchestra, 5/2:90 Varèse, Edgard, 4/1:36;
5/2:92; c, Arcana, 4/1:37 Variations on a Rollicking Tune, c, Jack
Sirulnikoff, 2/2:82-85; 4/2:101 Varsity Band [Saskatoon, SK],
4/2:97 Vaughan, Stevie Ray, 4/1:33 Vaughan Williams, Ralph, 5/1:36, 41; 5/2:86; c, English Folk Song Suite, 4/2:68; 5/2:86; Rhosymedre,
4/2:61; Sea Songs, Toccata
Marziale, 5/2:85 Vents canadiens [revue/journal], 1/1:1,
2; 38; 1/2:1, 2; 3, 54; 2/1:1, 43; 2/2:49, 94; 3/1:1, 48; 3/2:49, 100; 4/1:1,
56; 4/2:57, 112; 5/1:1, 6, 30, 32, 56; 5/2:57,
67, 68, 79, 107, 108 Verdi, Giuseppe, c, “Anvil Chorus” (Il Trovatore), 5/1:39 Vézina, Joseph, 5/1:24 Vibraphone, 4/1:21 Vibrato [flute], 5/1:30-32 Victor Herbert Orchestra,
5/2:75 Victoria [BC] SO, 5/2:90 Victory, Gerard, c, Marche Bizarre, St. James’s Suite, Mayo
Rhapsody, Tableaux Sportifs, 5/1:42 Vientos y Tangos, c, Michael Gandolfi, 4/2:61 Vietnam war, 4/2:74 Vimy Ridge [March], c, Thomas Bidgood, 4/1:43 Vintage Band Music Festival
[Northfield, MN], 4/1:4 Viola, Joe, Technique of
the Saxophone, 4/2:80 “Vive la canadienne,” 5/2:76, 77 Vivier, Claude, 4/1:21, 38 Vizutti, Allen, 4/2:99 “V’là le bon vent,” 5/1:36-37;
5/2:69 Voice of the Army Band
[Howard Cable], 4/2:73 (The) Voice of the Guns [March], c, Kenneth J. Alford, 5/2:97 (The) Voice of the Guns [CD], Royal Canadian Artillery Band, 5/2:97 Volans, Kevin, c, Concerto for Piano and Wind Ensemble, 5/1:42 “Vondis K. Miller,
1935-2003,” Timothy Maloney, 2/2:93 (The) Voyages of Cartier, H. P. Biggar, 5/1:27 Vygotsky, Lev, 4/2:60 Wadden, Noelle, “Integrated
Arts in the Band Room,” 2/1:44-47 Walker, James, 4/2:99 Walker, Philip, c, Concerto for Euphonium, 4/1:44 Waller, Richard, 4/1:44 Wal-Mart, 5/2:79 Walshe, Jennifer, c, Small, Small, Big, 5/1:42 Walt Disney World [FL], 4/1:6 Walton, William, c, Crown Imperial March, 4/2:93 Warm-ups [band], 1/1:48-47;
5/1:45 Warner/Chappell Music, Inc.
[publisher/éditeur], 4/2:73-76; 5/2:74 WASBE, see/voir World Association of Symphonic Bands
and Ensembles “WASBE Canada,” Marc Crompton, 2/1:8, 10 Wasiak, Edwin, “Transposing
Covey,” 3/2:62-65 Waterloo [ON], 5/2:78; W. Musical Society Band, 2/1:1
[cover photo credit/attribution de la photo de la page couverture]; 4/1:21;
5/2:76; W. Music Company, 5/1:5; 5/2:76; “ ‘Water Music’ by Harry Somers: His Symphony for
Woodwinds, Brass, and Percussion,”
Timothy Maloney, 2/1:25-30 Watson, Joan, “What Has Tiger Woods Got To Do With
It?”, 5/2:90; Songs My Mother Taught Me [CD], 5/2:90 Wayne & Mildred Krips
Memorial Brass Scholarship, 4.2:98 Weait, Christopher, “Demystifying the Bassoon:” Part I,
2/2:66-72; Part II, 3/1:17-20 Webern, Anton von, 4/1:36 Webster, Peter, 4/2:99 Weill, Kurt, 4/1:38 Weinzweig, John, c, Band Hut Sketches, 3/1:33; 4/1:36; 4/2:72, 73 Weiskopf, Walt, Around the
Horn, 4/2:81 (The) Wellington Winds [ON],
1/1:40; 4/1:20, 22; 5/1:23; 5/2:78 Wembley Stadium [London, UK],
5/2:85 Wenger Corporation, 5/1:54 Werner, Kenny, 1/2:42-43 Wesleyan University Band [US],
4/1:21 Wes Montgomery
Impressions: The Verve Jazz Sides
[CD], 4/1:34 Wess, Franck, 4/1:31 West, Tom Wade, c, Nightfall in Camp, 3/1:31; 4/2:101; 5/1:33 Westmount Collegiate [Montreal,
QC], 5/1:18 Weston Silver Band [ON],
5/1:18 Wexford Opera Festival
[Ireland], 5/1:41 Wexford Rhapsody, c, Thomas
Kelly, 5/1:41 Weyburn [SK], 4/1:7 “What Has Tiger Woods Got To Do With It?”, Joan
Watson, 5/2:90 “What Students Tell us about our Reheasals,” Donald S.
Buell, 1/1:8-12 “What to do Until the On-Line Theory Course is
Available,” Wayne Toews, 4/1:41-42 Wheeler, Kenny, 4/1:34 Where the Wind Blows [CD], Irish Youth Wind Ensemble, 5/1:41 Whitacre, Eric, c, October,
4/1:44 White, André, 4/1:43; 4/2:98 Whitely, Leonard, 2/1:11 Whittaker, Byng, 4/2:73 Whole-tone scales, 4/1:17 “Whose Line Is It Anyway?”,
4/2:80 “Why Record a CD with Your Band? What Really is the
Point?”, Dean McNeill, 3/2:84-85 “Why Won’t They Watch?”, Karem Simon, 1/1:15 Whyte, Ingrid, 5/1:8 Wilfrid Laurier University
[Waterloo, ON], 4/1:21, 22 Willan, Healey, 4/2:72;
4/1:36 William Byrd Suite, c, Gordon
Jacob, 5/2:85-88 Williams Bay HS [WI], 4/2:59 (R.S.) Williams Company
[publisher/éditeur], 5/2:76 Williams, Percy, 5/1:10 Williams, Tony, 4/2:82 Willis, J. Frank, 5/2:73 Wilson, James, 5/1:42 Wind Band Techniques [video], University
of Saskatchewan Wind Orchestra, Marvin Eckroth, conductor, 4/2:98 (The) Wind Ensemble and Its Repertoire, Frank Cipolla & Donald Hunsberger, 5/2:88 Windhorse, c, Peter Hatch,
4/1:21 Winds [journal/revue], 5/1:41 (The) Winds of Change: The Evolution of the
Contemporary American Wind Band/Ensemble and its Conductor, Frank Battisti, 1/1:39 Winds of the Prairie: A Celebration [CD], University of Saskatchewan Wind Orchestra,
4/2:99 Windsor [ON], 5/2:69 Wind Symphony [CD], 4/2:77 Winnipeg [MB]: 5/1:10; 5/2:69; Wind Ensemble, 4/2:111,
5/1:17; New Music Festival, 4/1:21; Maples Collegiate, 4/1:35; Winnipeg Ballet,
5/2:81 Winspear Hall, Murchison Performing Arts Center,
University of North Texas [Denton, TX], 4/2:99 Winters, Kenneth, 5/2:78 Wisconsin State University,
Whitewater, 4/2:59 WOI Radio Group Index of Pronouncing Dictionary of
Music and Musicians, 4/1:41 Wold, Milo, 5/2:88 Wolf, General James, 5/1:24 Wolff, Christian, 5/2:92 Wolfville [NS], 5/1:21 Wolsey’s Wilde, c, William
Byrd, 5/2:88 Wood, D.J., 4/2:60 Woods, Tiger, 5/2:90 Wong, Willie, 5/1:54 Worker’s Compensation Board [BC],
5/1:54 Workman, Blaine, “Boonshaft at Midwest Clinic ’06,”
5/2:59 World Association of Symphonic Bands and Ensembles (WASBE):
conferences: Kerkrade, Holland, 1989 & Schladming, Austria, 1997, 4/2:98; World War I, 4/2:64 Wyman, Max, 5/1:8; 5/2:60 Xenakis, Iannis, 5/2:92 Yalovsky, Mort, 4/2:62 Yamaha [instruments], 5/2:90 Yoga, 5/1:14 York Region Honour Band [ON],
5/1:23 Yorkdale School Division [SK]:
Grade 8 Band, 4/1:6 Yorkton [SK] Regional HS Band, 4/1:1 [cover photo/photo
de la page couverture], 6, 14; District Band Program, 6-7; Town Band, 4/1:5;
Music Festival, 4/1:6; Marching 100, 4/1:6; Jr. HS Marching Band, 4/1:6; Band
Boosters, 4/1:7; Parkland Band and Choir Festival, 4/1:7; Catholic School Grade
5 Band, 4/1:14; Public School Grade 8 Band, 4/1:14 “Yorton and District Band Programme,” Kerry Linsley,
4/1:6-7 Young, Douglas, 4/1:37 Zaninelli, Luigi, arr., Five American Gospel Songs, 4/2:61 Zawerucha, Mark, 4/1:7 Zen in the Art of Archery, Eugen Herrigel, 5/1:16 “Zen in the Art of Conducting: Applying the Principles
of Selflessness and Mindfulness,” Denise Grant, 5/1:14-16 Zimmerman, Brian, “The Role of the Guitar in Jazz
Ensembles,” 4/1:31-35 Zirbel, John, 4/2:59 Zone of Proximal Development
[Vygotsky], 4/2:60 Zouaves, 4/2:64 Zvack, Bret, 4/2:98 Reviews/Critiques et comptes-rendus An
Artist’s Neighbourhood [CD], r, Denise Grant, 1/1:40 Beginning Band Basics: Theory and
Activity Workbooks for Band Students,
Stella Claire terHart; r, Jeremy
Brown, 3/1:36 Bumper
Crop [CD]; r, Denise Grant. 1/1:40 Bumper Crop III: Prairie
Rhythms [CD]; r, Gordon Foote, 4/1:43 Clarinet Secrets: 52 Performance Strategies for the
Advanced Clarinetist, Michèle
Gingras; r, Timothy Maloney,
4/1:44-45 Collage [CD] ; r, Ian Cochrane, 4/1:44 (The) Courage to Teach: Exploring the
Inner Landscape of a Teacher’s Life,
Parker Palmer; r, Denise Grant, 1/1:41 Conducting with Feeling, Frederick Harris Jr.; r, Denise Grant, 1/1:39 (A)
Creative Project: A Resource Companion to the National Curriculum and
Administration Standards for Instrumental Music (Proficient Level), Don Harris; r, Graham McDonough, 1/2:44-46 Effortless Mastery, Kenny Werner; r, Lisa Lorenzino, 1/2:43 National Voluntary Curriculum and Standards for
Instrumental Music (Band), 3d ed., D.
Harris, I. Cochrane, P. England; r,
Graham P. McDonough, 2/2:86-88 North Winds: Canadian Wind Band Music [CD]; r,
Gillian MacKay, 4/2:101 Ostinatocious [CD]; r,
Dean McNeill, 4/1:43 Pathways, Joseph Alsop; r, Ian Cochrane, 1/2:42 Teaching Music with Passion: Conducting, Rehearsing
and Inspiring, Peter L. Boonshaft; r, Denise Grant, 1/2:44 (The) Tipbook Series, Hugo Pinksterboer; r, Jeffrey Reynolds, 2/1:35 Traditions [CD] ; r, Jennifer McAllister, 4/1:43-44 (The) Voice of the Guns [CD]; r, Jennifer McAllister, 5/2:97 (The) Winds of Change: The Evolution of
the Contemporary American Wind Band/Ensemble and its Conductor, Frank L. Battisti; r, Denise Grant, 1/1:39 Advertisements/Petites
annonces Acadia University Summer
Camps, 4/2:83 Ash Musical Instruments,
3/2:61 Bill’s Horn Shop, 1/1:7; 1/2:14; 2/2:72; 3/1:30;
3/2:87; 4/1:7; 4/2:71; 5/1:38 Brandon U, 2/2:75; 3/1:23;
3/2:61; 4/1:22; 5/1:27; 5/2:106 (The) Brass and Woodwind
Shop, 5/1:9; 5/2:59 Buckley’s Music, 1/1:43;
2/2:72; 3/1:6; 3/2:65; 4/1:14 Camp Musical d’Asbestos,
3/2:73; 4/2:92 Canada-Cuba Sports & Cultural Festivals, 3/1:35;
3/2:68; 4/1:10; 4/2:67; 5/1:9 Canadian Wind Conductors
Development Program, 5/2:104 Conn-Selmer 1/2, 2/1 [interior
front cover/intérieur de la page couverture de devant] DEG Music Products, Inc.,
4/1:42 Derek Healey, 1/2: 4 Edmonton Cantando Festival,
2/1:19; 3/1:20; 4/1:27 Eighth Note Publications,
2/2:65 Ellison Travel & Tours
Ltd., 2/2:85; 5/2:61 Fehr-Way Educational Tours, 3/1:25; 3/2:75; 4/1:29;
4/2:85; 5/1:29; 5/2:82 Gemeinhardt, 1/1:14; 1/2:15 Harknett Musical Services,
1/1:12; 3/2:99; 4/1:16; 5/1:16; 5/2:84 IAJE, 1/2:53 International Music Camp,
4/2:67; 5/2:84 Jazz at Lincoln Center,
3/1:24 Jupiter Canada, 3/2:81;
4/1:30; 5/1:28 Kelly’s Music & Computers, 2/2:85; 3/1:12; 3/2:56;
4/1:26, 27; 4/2:63; 5/1:9; 5/2:78 Long & McQuade, 1/1:24; 1/2:11; 2/1:6; 2/2:65;
3/1:47; 3/2:99; 4/1:16; 4/2:89; 5/1:9; 5/2:68 Massullo Music Ltd., 3/2:56;
4/1:4; 4/2:71; 5/1:38; 5/2:61 Music Direct, 1/1:20; 1/2:23; 2/1:16; 2/2:80; 3/1:30;
3/2:83; 4/1:22; 4/2:71; 5/1:38; 5/2:97 The Music Group Canada,
2/2:80; 3/2:80; 4/1:28; Music Plus, 1/1:37; 1/2:46; 2/1:35;
2/2:75; 3/1:5; 3/2:97; 4/2:84, 5/1:16 MusicStop,
1/2: 47; 2/1:36; 2/2:96; 3/1:16; 3/2:97; 4/1:35; 4/2:83 Oceanna Music Publications,
2/2:80 St. John’s Music, 1/1; 1/2; 2/1;
2/2; 3/1; 3/2; 4/1; 4/2; 5/1; 5/2 [all exterior back cover/toutes au verso de
la page couverture de derrière] Superscope, 4/1:5; 4/2:63;
5/2:61 Tom Lee Music, 1/1:5; 1/2:5;
3/2:74 Twigg Musique, 1/2:17;
4/1:39; 4/2:96; 5/1:21; 5/2:84 United Musical Instruments, 1/1
[interior front cover/intérieur de la page couverture de devant] U of Calgary, 2/2:55, 59;
3/1:24; 5/2:83 U of Prince Edward Island,
3/2:87 U of Saskatchewan, 2/2:96; 3/1:47; 3/2:65; 4/1:14;
4/2:84; 5/1:55; 5/2:74 U of Toronto, 1/2:53; 5/2:61,
89 Wenger, 1/1:13; 1/2:9; 2/1:7;
2/2, 3/1; 3/2; 4/1; 4/2; 5/1; 52 [all inside front cover/toutes à l’intérieur
de la page couverture de devant] Yamaha, 1/1; 1/2; 2/1; 2/2; 3/1;
3/2; 4/1; 4/2; 5/1; 5/2 [all interior back cover/toutes à l’intérieur de la
page couverture de derrière] | ||
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